EOS R6 Mark III
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Description
Description
The EOS R6 Mark III camera is built to meet your demands and deliver stunning results. Capture 32.5MP stills with impressive detail at up to 40 fps and enjoy the comfort of pre-continuous shooting to aid you during those unpredictable moments. With Canon Log 2 color, 4K 120p slow motion, high-quality oversampled 4K 60p, 7K RAW recording at 60p, and 7K 30p Open Gate recording for postproduction versatility, this is a hybrid camera you’ve been waiting for.
High Image Quality Featuring a 32.5MP Canon Developed and Designed Full-Frame CMOS Image Sensor
The EOS R6 Mark III camera is a full-frame digital mirrorless camera featuring a 32.5MP Canon-developed and designed CMOS Image Sensor. With a 34% increase in resolution compared to the EOS R6 Mark II, and a 61% increase in resolution when compared to the original EOS R6 image sensor, more resolution, cropping capability and print resolution await.
DIGIC X Image Processor
Powered by the DIGIC X Image Processor, enjoy high-performance operation with Dual Pixel CMOS AF II, Coordinated Stabilization with Optical and In-Body Image Stabilization, high-quality image processing, and high-resolution video functionality.
Up to 40-fps Photo Shooting and with 20-Frames of Pre-Continuous Shooting and Equipped with Mechanical, First Curtain Electronic, Fully Electronic Shutter Modes.
In-Body Image Stabilizer with up to 8.5 stops of shake correction effect (center) and 7.5 stops at periphery
When capturing photos at lower shutter speeds, the In-Body Image Stabilizer system provides up to 8.5 stops of shake correction at the center and up to 7.5 stops at the periphery. This is crucial for non-image stabilized lenses, but also effective for optically image stabilized lenses with Coordinated Image Stabilization (In-Body + Lens optical stabilization).
Dual Pixel CMOS AF II with People, Animal, Vehicle Detection, and Register People Priority
High-performance Subject Detection featuring People, Animals, and Vehicles detection, the EOS R6 Mark III camera provides impressive subject detection, and tracking capability for incredible precision and convenience.
Register People Priority
New to the 6-series is Register People Priority. Simply photograph a person and register them in-camera to prioritize them over other people in the scene. Up to 10 registered people can be set, and up to 10 registered people can be saved to each card.
Autofocus — More Pro than Ever
The EOS R6 Mark III camera offers many of the same AF features as Canon’s powerful EOS R5 Mark II and EOS R1 cameras.
Movie Servo AF focus algorithms from C400 / C80
With new Movie Servo AF focus algorithms borrowed from EOS C400 and C80, autofocus pulls more naturally to how a manual focus pull would look.
Shoot Bigger and Burst Longer
The EOS R6 Mark III, enhancing shooting performance over the EOS R6 Mark II, now supports one CFexpress Type B card and one SD card with UHS-II V90 card support. This hardware improvement provides more power for photographers capturing peak action for extended periods, such as sports celebrations, wildlife scenes, or bird flight sequences, and enables the highest video resolution recording in Canon EOS 6-series history.
Internally Recorded 7K Video at Up to 59.94p in 12-bit Canon RAW Light Movie and Externally Recorded 7K 29.97p ProRes RAW (With Use of a Compatible External Recorder)
Open Gate Recording at Up to 7K 29.97p in 10-bit MP4 or 12-bit RAW
3:2 aspect ratio “Open Gate” recording is available at 7K (6912 x 4608 — MP4; and 6960 x 4640 — RAW) and up to 29.97p in 10-bit, XF-HEVC S 4:2:2 and 4:2:0 MP4, or Canon RAW Movie Intra, Light Intra and Long GOP recording.
Why, and What is Open Gate Recording?
Today’s hybrid image makers face immense demands, often requiring social media videos to accompany photos and videos delivered to clients. With Open Gate recording enabled, the camera scans the full-frame, 3:2 aspect ratio image sensor area to record video imagery in the same 3:2 aspect ratio as still images. This allows post-production versatility to reformat the 3:2 ratio imagery to various formats, such as vertical 9:16, 16:9, 1:1, 4:3, or 4:5.
High-Speed Recording at up to 4K 119.8p, or 2K/Full-HD 179.8p
The EOS R6 Mark III camera offers significant video improvements compared to the Mark II, particularly in slow-motion capabilities. It now supports both DCI 4K and UHD 4K, with up to 119.8p frame rate for 5x slow motion in a 23.98p timeline project. Additionally, DCI 2K or Full-HD resolution video is available at 179.8p for up to 7.5x slow motion in a 23.98p timeline. Audio recording is supported for all resolution and frame rate options, except in (S & F) mode.
Versatility for Slow-Mo Video or Fast Motion Time-Lapse
The new Slow and Fast (S & F) Mode on the mode dial offers new UI control over resolution, frame rate, playback speed, and compression. It also provides incremental frame rates for precise recording frame rate tailoring to playback speed. Though audio is disabled, videographers can now embed their frame rate in-camera for easier social media content creation.
Up-to 4K FINE 59.94p Recording for Highly Detailed Imagery
The Canon EOS Movie – 4K FINE (oversampled) recording mode has become a highly relied upon recording mode enjoyed by the most discerning of videographers. Known for ensuring that sharp and clean video imagery is recorded, video creators will find impressively high-resolution imagery available to them using oversampling to now provide DCI 4K and UHD 4K at up to High Intra-frame recording in XF-AVC S recording format.
Color Your World with 14 Color Filters
Add a touch of creative to your imagery with 14 easy to use color filters. Whether you’re a newcomer to editing or you’re looking to add a convenient color and tone adjustment, the Color Filters menu allows you to personalize your JPEG photo and MP4 video imagery to your desire. Simply press the new Color button, select Color Filter and start creating.
Custom Picture Menu
Newly added is the Custom Picture menu adding incredible customization potential to your video imagery. Simply press the Color Button to access Custom Picture menu where there’s access to Canon Log 2, Canon Log 3, HLG, PQ, Canon 709, BT.709 Standard, a host of significant user adjustments, and 14 different user customizable presets.
Canon Log 2 Video with up to 15+ Stops of Dynamic Range
Unlock more of your images' dynamic range potential with Canon Log 2 featuring up to 15+ stops of exposure latitude. Capture your scene’s brightest brights, to darkest darks with the flexibility to color grade ensuring new levels of video quality.
Apply a Look File (LUT) In-Camera
The EOS R6 Mark III camera just got even more agile. Create videos styled with your signature video LUT using the apply Look file function in the Custom Picture menu. You can register 17-grid, or 33-grid .cube format 3D LUT files created using an NLE application and register them as Custom Picture (CP) files to apply the color tone and contrast you want for the movies you record. From there you can download your styled videos with your creative LUT already applied.
Natural 3.69m Dot EVF with OVF View Assist
The EOS R6 Mark III camera features a 0.5-inch, 3.69m dot electronic viewfinder (EVF) providing 100% image coverage, 0.76x magnification, and a 23mm eye point ensuring comfortable viewing and accommodation of eyeglasses.
3.0” Vari-Angle LCD Screen
Enjoy compositional freedom with the 3.0” vari-angle LCD screen. Featuring 1.62 million dots of resolution, adjustable brightness, and four different user-selectable color tones, this touch-screen monitor provides an excellent user interface for you to monitor, select your subject, interact with menus, take photos, start recording, and more.
Monitor Your Exposure With the Same Tools as Found in Cinema EOS Cameras
The EOS R6 Mark III offers various exposure monitoring tools, including Zebra display, False Color, and Waveform monitor
Durable Build
Durability including a 500,000-cycle shutter, that closes at shutdown, Magnesium alloy chassis with polycarbonate resin and heat dissipating structure, and water and dust sealing.
. Zebra display displays specific brightness values with overlay pattern stripes on the image, aiding the camera operator in seeing exposure values of specific areas. The False Color monitor overlays color to represent specific exposure levels in the scene. The Waveform monitor shows the entire image’s luminance in graph form.
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