Phottix
Padat Carbon 200 Compact Light Stand 79in/200cm
Sale price $209.95 Regular price $244.95Unit priceExplore Scientific
Vixen Portable Equatorial Mount Compact Mount POLARIE Fine Adjustment Unit
Regular price $134.99Unit priceHobolite
Hobolite Adjustable LED Light Stand 210 (82.7 in) for Professional Photography
Regular price $329.00Unit priceHobolite
Hobolite Adjustable LED Light Stand 90 (35.4 in) for Professional Photography
Sale price $122.85 Regular price $189.00Unit pricePhottix
Padat 300 Compact Light Stand - 300cm/118"
Sale price $109.95 Regular price $128.95Unit priceAvenger
A2033LCB | Avenger C-Stand 33 with sliding leg in black finish version
Regular price $209.99Unit price
Light Stands & Boom Arms for Studio & Location Lighting
Every light needs somewhere to go. Impulse Camera Store carries a full range of light stands, C-stands, boom arms, and combo stands for photographers and video professionals working in Milwaukee studios and on location. The right light stand is about stability, portability, and the ability to position your modifier exactly where you need it. From compact air-cushioned travel stands to beefy 40-inch C-stands built for grip and electric, we stock the support gear that working shooters rely on every day.
Buying Guide: Light Stands & Boom Arms
Standard Light Stands
Standard light stands use a folding three-leg base with telescoping risers locked by thumb screws or lever clamps. Air-cushioned stands include a gas-filled column that slows descent if a locking knob fails — a critical safety feature for heavy modifiers. Look for stands rated to at least 2x your heaviest light-plus-modifier combination. Avenger, Manfrotto, and Matthews are the professional benchmark for studio stands.
C-Stands
The C-stand (Century stand) is the workhorse of professional lighting. Its offset riser and heavy base allow it to be positioned with one leg under the set, making it the go-to for placing lights close to subjects or over sets. C-stands include a grip head and arm for positioning. They're heavy — not designed for travel — but virtually indestructible in a studio setting. Always sandbag the short-leg side when the arm extends overhead.
Boom Arms
A boom arm extends your light horizontally from the stand, allowing you to position a light directly above a subject without the stand appearing in the frame. This is essential for overhead beauty lighting, product flat-lays, hair lights, and any shot requiring a top-down key. Always counterweight the opposite end of the boom — sandbags or a counterweight arm — to prevent tipping.
Combo Stands
Combo stands add a sliding leg that can be kicked out for low-angle placement or positioned with one leg under a platform. More versatile than standard stands for location work, but slightly heavier. Popular with location portrait photographers who need flexibility without committing to a full C-stand kit.
How tall of a light stand do I need for a portrait setup?
For standard portrait work in an 8-9 foot ceiling studio, a stand with a maximum height of 8-9.5 feet is sufficient. For beauty dishes and large octabanks, a taller stand lets you get the modifier higher and at a steeper angle. For low-ceiling spaces, 7-foot stands are often more practical than tall stands that can't fully extend.
What is the difference between a C-stand and a regular light stand?
A C-stand is significantly heavier, uses a counter-threaded riser system, and includes a grip head and arm for positioning accessories. Its base design lets one leg slide under a set or piece of furniture. Regular light stands are lighter and more portable but offer less stability and fewer attachment points than a C-stand system.
Do I need to sandbag my light stands?
Yes — always sandbag any stand with a heavy modifier, extended boom, or that is positioned near people or expensive equipment. The standard rule: the short leg of the stand base should face the direction toward which the arm extends, and always place a sandbag on that short leg. Never leave a lit modifier unsecured on a stand.
What weight capacity do I need for a large softbox?
A large 60-inch octabank with a strobe head can weigh 8-15 lbs fully assembled. Your stand should be rated for at least double that (16-30 lbs) to provide a safe margin. Check both the stand's column rating and the spigot rating — the column often has a higher capacity than the top spigot stud.
Can I use a boom arm without a counterweight?
Only for very lightweight accessories — a single speedlight or a small LED panel. For anything heavier, always counterweight the short end of the boom. Professional grip sandbags in 10 lb and 25 lb increments are the standard counterweight on set. Never position a boom overhead without a proper counterweight and a safety chain on the mounted fixture.
Visit Us in Milwaukee — Impulse Camera Store carries C-stands, light stands, and boom arms for Milwaukee studios and location shooters. Stop in or email sales@impulsemke.com to talk through your lighting support setup.