{"title":"Digital Cinema Cameras","description":"\u003cp\u003eBuilt for filmmakers, digital cinema cameras deliver high dynamic range, RAW recording, and the codecs and color science professional productions demand. Explore our cinema lineup from Blackmagic, Sony, Canon, and more.\u003c\/p\u003e","products":[{"product_id":"dji-ronin-4d-4-axis-cinema-camera-8k-combo","title":"DJI Ronin 4D 4-Axis Cinema Camera 8K Combo","description":"\u003cp\u003eThe DJI Ronin 4D 4-Axis Cinema Camera 8K Combo is a fully integrated cinema camera and gimbal system built around DJI's Zenmuse X9 full-frame sensor. Instead of bolting a camera onto a separate gimbal, DJI combined the imaging, stabilization, focusing, and wireless transmission systems into one solid body, so a solo shooter can rig up fast without assembling multiple components. It's built for working cinematographers and small crews who need broadcast-quality 8K footage with minimal setup time, whether shooting solo or coordinating a larger production with remote monitors.\u003c\/p\u003e\n\u003chr\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntegrated imaging and stabilization\u003c\/strong\u003e: A single carbon-fiber and aluminum body houses the camera, gimbal, and focus systems, cutting out rig-building time before a shoot.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCineCore 3.0 processing\u003c\/strong\u003e: Records internal ProRes 422 HQ and H.264 at up to 8K\/75fps or 4K\/120fps for flexible delivery formats.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBuilt-in 9-stop ND filters\u003c\/strong\u003e: Motorized ND 2 to ND 512 filters switch instantly without stopping to swap glass.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLiDAR autofocus\u003c\/strong\u003e: A LiDAR focusing system with up to 43,200 ranging points locks focus quickly in low light, even on manual lenses.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4-axis stabilization\u003c\/strong\u003e: Adds a vertical (Z) axis to the traditional 3-axis gimbal for dolly-like smoothness while handheld.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDJI O3 Pro transmission\u003c\/strong\u003e: Sends a secure 1080p\/60fps feed up to 20,000 feet to multiple monitors with AES 256-bit encryption.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInterchangeable lens mounts\u003c\/strong\u003e: A native DL mount plus support for Leica M and other third-party mounts and lens adapters.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTB50 battery system\u003c\/strong\u003e: Up to 2.5 hours of shooting per charge, a 1.5-hour fast recharge, and automatic heating in cold weather.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCamera:\u003c\/strong\u003e Zenmuse X9 full-frame gimbal camera\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecording:\u003c\/strong\u003e Internal ProRes 422 HQ and H.264; up to 8K\/75fps or 4K\/120fps\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eND filters:\u003c\/strong\u003e Built-in 9-stop, ND2-ND512 (ND0.3-ND2.7), motorized switching\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLens mount:\u003c\/strong\u003e DL mount (compact primes, ~180g each); interchangeable third-party mounts including Leica M\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStabilization:\u003c\/strong\u003e 4-axis gimbal with downward ToF sensor, dual visual sensors, built-in IMU and barometer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFocus system:\u003c\/strong\u003e LiDAR Waveform focusing, up to 43,200 ranging points, 10m detection range\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVideo transmission:\u003c\/strong\u003e DJI O3 Pro, up to 20,000ft range, 2.4\/5.8GHz plus DFS band, AES 256-bit encryption, 1080p\/60fps output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMonitors:\u003c\/strong\u003e 5.5-inch 1000-nit main monitor; optional 7-inch 1500-nit High-Bright Remote Monitor with HDMI\/SDI output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStorage:\u003c\/strong\u003e Built-in CFexpress Type-B slot plus USB 3.1 Type-C expansion for external media; DJI PROSSD 1TB option\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio:\u003c\/strong\u003e Built-in dual-channel 24-bit microphones; 3.5mm and XLR mic inputs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBattery:\u003c\/strong\u003e TB50 Intelligent Battery, up to 2.5 hours shooting, 1.5-hour full charge, auto-heating support\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":48594759024945,"sku":"258633","price":12838.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0851\/8703\/5441\/files\/2d3638cbdb6922509846c4325b294688_ultra.jpg?v=1711513430"},{"product_id":"sony-cinema-line-fx30-super-35-camera","title":"Sony Cinema Line FX30 Super 35 Camera with XLR handle unit","description":"\u003cp\u003eThe camera, although not listed on the consumer site and available for more detailed information on the Pro site, is a high-caliber device designed for professional use. It features a 20.1 MP Exmor R™ APS-C sensor, provides a cinematic look directly from the camera with S-Cinetone™, and offers flexible ISO settings along with Cine EI Quick and Log modes for superior image quality. User LUTs enhance both display and output, while dual base ISO and a wide dynamic range ensure low-noise, high-quality images. It supports log recording, real-time autofocus, active image stabilization, and a variety of recording formats for both creativity and post-production flexibility, including creative slow-motion options and 4K 16-bit RAW output. Designed for both efficiency and mobility, it includes features like a cooling fan for uninterrupted 4K 60p recording, proxy recording for easy editing, time code synchronization, and is built with a dust and moisture resistant, compact, and lightweight design.\u003c\/p\u003e\n\u003chr\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdvanced Imaging Sensor\u003c\/strong\u003e: The camera comes equipped with a 20.1 MP Exmor R™ APS-C sensor, capturing wide dynamic range images suitable for professional-grade cinematic production.\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCinematic Look with S-Cinetone™\u003c\/strong\u003e: Achieve cinematic quality straight out of the camera, eliminating the need for post-production grading.\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOptimized Shooting Modes\u003c\/strong\u003e: Features flexible ISO settings, Cine EI Quick, and Cine EI Log modes to optimize image quality across various lighting conditions.\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUser LUTs for Enhanced Viewing and Output\u003c\/strong\u003e: Apply custom LUTs to the LCD display and HDMI output, integrating them directly into the clips for a personalized look.\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExceptional Dynamic Range and Low Noise\u003c\/strong\u003e: Dual Base ISO and over 14 stops of dynamic range enable capturing wide latitude scenes with minimal noise.\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProfessional-grade Log Recording\u003c\/strong\u003e: Log recording facilitates cinematic image quality, ideal for advanced color grading in post-production.\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReliable Autofocus System\u003c\/strong\u003e: Features dependable, accurate autofocus capabilities, including Real-time Eye AF and Real-time Tracking AF for both stills and video.\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEffective Image Stabilization\u003c\/strong\u003e: Active Mode image stabilization supports handheld movie shooting, enhancing mobility and reducing the need for additional stabilization equipment.\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVersatile Recording Formats and Creative Options\u003c\/strong\u003e: Supports extensive recording formats, offering high image quality and advanced post-production capabilities. Includes creative slow-motion up to 4K 120p with autofocus and various Creative Looks to apply in-camera.\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-quality Outputs and Connectivity\u003c\/strong\u003e: Provides 4K 16-bit RAW output via HDMI for external recorders, broad connectivity options for diverse shooting needs, and dual card slots compatible with CFexpress Type A and SDXC\/SDHC.\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDesigned for Professional Use\u003c\/strong\u003e: Features uninterrupted 4K 60p recording with cooling ventilation, proxy recording for an efficient workflow, and a compact, lightweight, dust and moisture resistant design with a durable magnesium alloy chassis for field work.\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEase of Use and Extended Recording Options\u003c\/strong\u003e: Introduces a list-style main menu for quick settings access, flexible high-resolution touch-panel LCD, uninterrupted power via USB PD, and multiple mounting points for convenience and mobility.\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":48722377670961,"sku":"ILME-FX30","price":2199.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0851\/8703\/5441\/files\/107845_original_local_1200x1050_v3_converted.webp?v=1712372908"},{"product_id":"sony-alpha-fx3-cinema-line-full-frame-camera","title":"Sony FX3 Cinema Line Full-frame Camera with Lightweight XLR Camera Handle","description":"\u003cp\u003e\u003cspan\u003eSony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cul class=\"pdp-summary-highlights__content\" _ngcontent-serverapp-c320=\"\"\u003e\n\u003cli\u003e4K full-frame sensor w\/ 15+ stop dynamic range and high sensitivity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\" _ngcontent-serverapp-c320=\"\"\u003e\n\u003cli\u003eS-Cinetone, expressive cinematic look inspired by VENICE colorimetry\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\" _ngcontent-serverapp-c320=\"\"\u003e\n\u003cli\u003eUp to 4K 120p \/ FHD 240p 10-bit 4:2:2 and full pixel readout in all rec. modes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\" _ngcontent-serverapp-c320=\"\"\u003e\n\u003cli\u003eCompact cage free design w\/ ¼”-20 mounting points and XLR top handle\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\" _ngcontent-serverapp-c320=\"\"\u003e\n\u003cli\u003eUninterrupted\u003csup\u003e1\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e4K 60p rec. w\/ cooling fan for effective heat sink\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":48722377867569,"sku":"ILMEFX3A","price":4299.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0851\/8703\/5441\/files\/96201_original_local_1200x1050_v3_converted.webp?v=1712376877"},{"product_id":"dji-ronin-4d-6k-combo-bundle","title":"DJI Ronin 4D 4-Axis Cinema Camera 6K Combo","description":"\u003cp\u003eAll-in-One Camera Gimbal System\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eThis combo includes the main Zenmuse X9-6K full-frame video camera and a 3-axis gimbal, plus an array of modular monitor, focusing, and control components.\u003c\/li\u003e\n\u003cli\u003eKit items include a DL lens mount, a LiDAR range finder, one TB50 battery, a charging hub, and left and right control handgrips.\u003c\/li\u003e\n\u003cli\u003eThis innovative camera gimbal combines imaging, stabilization, and focusing in one lightweight, carbon fiber and aluminum\/magnesium alloy rig\u003c\/li\u003e\n\u003cli\u003eCombination design reduces your setup time at the start of the day and in between setups and locations \u003c\/li\u003e\n\u003cli\u003eIncluded modular components:\n\u003cul\u003e\n\u003cli\u003eLeft and right control handgrips\u003c\/li\u003e\n\u003cli\u003eLiDAR range finder\u003c\/li\u003e\n\u003cli\u003eTop handle\u003c\/li\u003e\n\u003cli\u003eBaseplate\u003c\/li\u003e\n\u003cli\u003eX9 3.8 oz counterweight\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSeparately available components:\n\u003cul\u003e\n\u003cli\u003e7\" high-bright, touchscreen monitor\u003c\/li\u003e\n\u003cli\u003eWireless video transmitter\u003c\/li\u003e\n\u003cli\u003eProSSD 1TB media drive\u003c\/li\u003e\n\u003cli\u003eX9 focus motor\u003c\/li\u003e\n\u003cli\u003eLeica M lens mount\u003c\/li\u003e\n\u003cli\u003e3-channel FIZ lens control unit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"note_UbV5SNP5Eo\"\u003e\n\u003cspan data-selenium=\"overviewProductNote\" class=\"noteInner_UbV5SNP5Eo\"\u003eNote:\u003c\/span\u003e\n\u003cdiv class=\"js-injected-html\"\u003eA wireless video transmitter is not included in this combo kit.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ev01.04.0200 Firmware Update\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eAdded support for Leica L-mount lenses.\u003c\/li\u003e\n\u003cli\u003eManual calibration added for zoom lenses.\u003c\/li\u003e\n\u003cli\u003ePlayback support for anamorphic de-squeeze on High-Bright monitor.\u003c\/li\u003e\n\u003cli\u003eSupports applied LUTs for HDMI output in clean output.\u003c\/li\u003e\n\u003cli\u003eOptimized  the camera start-up time.\u003c\/li\u003e\n\u003cli\u003eEnhanced fine controls in manual focus mode.\u003c\/li\u003e\n\u003cli\u003eAdded playback and zoom control support to handgrips.\u003c\/li\u003e\n\u003cli\u003eFixed E-mount lens focus at infinity and manual iris reading.\u003c\/li\u003e\n\u003cli\u003eFixed various gimbal settings issues.\u003c\/li\u003e\n\u003cli\u003eFixed green tinge on video playback.\u003c\/li\u003e\n\u003cli\u003eFixed LiDAR focus issues when waveform appeared normal.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eCineCore 3.0 Imaging Processing System\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe Zenmuse X9, DJI's full-frame camera, uses a proprietary chip for advanced processing and high-performance computing \u003c\/li\u003e\n\u003cli\u003eThe Ronin 4D uses the CineCore 3.0 system to support internal ProRes 422 HQ and H.264 video\u003c\/li\u003e\n\u003cli\u003eIndustry-standard ACES workflow support provides easy compatibility with other cinema cameras\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":49555009601841,"sku":"CP.RN.00000176.01","price":4999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0851\/8703\/5441\/files\/2b1d39159f99f4076d2ec9ee0a476cdd_ultra.jpg?v=1744995953"},{"product_id":"dji-ronin-4d-8k-combo-bundle","title":"DJI Ronin 4D 4-Axis Cinema Camera 8K Combo Kit with DL PZ 17-28mm T3.0 ASPH Lens","description":"\u003cp\u003eRaw License Key and PROSSD 1TB\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Zenmuse X9-8K supports up to 8K video capture and includes both a raw license key, and the DJI PROSSD 1TB drive, DJI PROSSD mount, and USB-C high-speed data cable required for raw recording.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eDL PZ 17-28mm Lens, Low-Pass Filter\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eIn addition to the raw license key, the X9-8K Combo includes a DL lens mount and the DJI DL PZ 17-28mm T3.0 ASPH lens plus a built-in OLPF (optical low-pass filter) for maximum color accuracy.\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIncluded Components\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\u003cimg class=\"pointer_pdnKDph4rT\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2146318.jpg\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eLeft and right control handgrips\u003c\/li\u003e\n\u003cli\u003eLiDAR range finder\u003c\/li\u003e\n\u003cli\u003eHigh-bright main monitor\u003c\/li\u003e\n\u003cli\u003eTB50 battery and charging adapter\u003c\/li\u003e\n\u003cli\u003eTop handle\u003c\/li\u003e\n\u003cli\u003eBaseplate\u003c\/li\u003e\n\u003cli\u003eHard carrying case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eSeparately Available Components\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003e7\" high-bright, touchscreen monitor\u003c\/li\u003e\n\u003cli\u003eWireless video transmitter\u003c\/li\u003e\n\u003cli\u003eX9 focus motor\u003c\/li\u003e\n\u003cli\u003e3-channel FIZ lens control unit\u003c\/li\u003e\n\u003cli\u003eExpansion plate with SDI, XLR, and timecode ports\u003c\/li\u003e\n\u003cli\u003eDJI Leica L and M lens mounts\u003c\/li\u003e\n\u003cli\u003eThird-party ARRI PL and Sony E lens mounts\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eAdvanced Image Processing with DCCS and ACES\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eSupport for the industry-standard ACES workflow provides easy compatibility with other cinema cameras.\u003c\/li\u003e\n\u003cli\u003eThe DJI DCCS color science reproduces vivid, natural skin tones in a range of lighting conditions and creates looks that are compatible with ARRI footage.\u003c\/li\u003e\n\u003cli\u003eThe full-frame Zenmuse X9-8Kcamera uses a proprietary chip for advanced processing and high-performance computing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eAdvanced 4-Axis Stabilization\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\u003cimg class=\"pointer_pdnKDph4rT\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2146315.jpg\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eSelectable Z-axis stabilization reduces unwanted vertical camera movement, especially during dollying moves.\u003c\/li\u003e\n\u003cli\u003eZ-axis stabilization is built into the camera; 3-axis stabilization in the gimbal.\u003c\/li\u003e\n\u003cli\u003eTilt stabilization uses dual, symmetrical motors.\u003c\/li\u003e\n\u003cli\u003ePan and X (roll) axes with additional stiffness buffering.\u003c\/li\u003e\n\u003cli\u003eDownward ToF (time of flight) sensor.\u003c\/li\u003e\n\u003cli\u003eForward and downward-facing dual-vision sensors.\u003c\/li\u003e\n\u003cli\u003eBuilt-in IMU (inertial measurement unit) and barometer.\u003c\/li\u003e\n\u003cli\u003eNew and improved stabilization algorithm.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eZenmuse X9-8K Camera with DL Lens Mount\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe D4's DL lens mount supports full-frame capture with DJI's current selection of lightweight, carbon fiber 24, 35, and 50mm lenses.\u003c\/li\u003e\n\u003cli\u003eInterchangeable lens mounts are available for use with Sony E-mount or Leica M-mount lenses.\u003c\/li\u003e\n\u003cli\u003eSupports ultrawide, f\/0.95 large-aperture, electronic zoom, macro, and anamorphic cine lenses.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":49555013534001,"sku":"CP.RN.00000351.01","price":12838.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0851\/8703\/5441\/files\/8k.png?v=1719346542"},{"product_id":"sony-cinema-line-fx30-super-35-camera-body","title":"Sony Cinema Line FX30 Super 35 Camera","description":"\u003cp\u003eThe camera, although not listed on the consumer site and available for more detailed information on the Pro site, is a high-caliber device designed for professional use. It features a 20.1 MP Exmor R™ APS-C sensor, provides a cinematic look directly from the camera with S-Cinetone™, and offers flexible ISO settings along with Cine EI Quick and Log modes for superior image quality. User LUTs enhance both display and output, while dual base ISO and a wide dynamic range ensure low-noise, high-quality images. It supports log recording, real-time autofocus, active image stabilization, and a variety of recording formats for both creativity and post-production flexibility, including creative slow-motion options and 4K 16-bit RAW output. Designed for both efficiency and mobility, it includes features like a cooling fan for uninterrupted 4K 60p recording, proxy recording for easy editing, time code synchronization, and is built with a dust and moisture resistant, compact, and lightweight design.\u003c\/p\u003e\n\u003chr\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdvanced Imaging Sensor\u003c\/strong\u003e: The camera comes equipped with a 20.1 MP Exmor R™ APS-C sensor, capturing wide dynamic range images suitable for professional-grade cinematic production.\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCinematic Look with S-Cinetone™\u003c\/strong\u003e: Achieve cinematic quality straight out of the camera, eliminating the need for post-production grading.\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOptimized Shooting Modes\u003c\/strong\u003e: Features flexible ISO settings, Cine EI Quick, and Cine EI Log modes to optimize image quality across various lighting conditions.\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUser LUTs for Enhanced Viewing and Output\u003c\/strong\u003e: Apply custom LUTs to the LCD display and HDMI output, integrating them directly into the clips for a personalized look.\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExceptional Dynamic Range and Low Noise\u003c\/strong\u003e: Dual Base ISO and over 14 stops of dynamic range enable capturing wide latitude scenes with minimal noise.\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProfessional-grade Log Recording\u003c\/strong\u003e: Log recording facilitates cinematic image quality, ideal for advanced color grading in post-production.\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReliable Autofocus System\u003c\/strong\u003e: Features dependable, accurate autofocus capabilities, including Real-time Eye AF and Real-time Tracking AF for both stills and video.\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEffective Image Stabilization\u003c\/strong\u003e: Active Mode image stabilization supports handheld movie shooting, enhancing mobility and reducing the need for additional stabilization equipment.\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVersatile Recording Formats and Creative Options\u003c\/strong\u003e: Supports extensive recording formats, offering high image quality and advanced post-production capabilities. Includes creative slow-motion up to 4K 120p with autofocus and various Creative Looks to apply in-camera.\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-quality Outputs and Connectivity\u003c\/strong\u003e: Provides 4K 16-bit RAW output via HDMI for external recorders, broad connectivity options for diverse shooting needs, and dual card slots compatible with CFexpress Type A and SDXC\/SDHC.\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDesigned for Professional Use\u003c\/strong\u003e: Features uninterrupted 4K 60p recording with cooling ventilation, proxy recording for an efficient workflow, and a compact, lightweight, dust and moisture resistant design with a durable magnesium alloy chassis for field work.\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEase of Use and Extended Recording Options\u003c\/strong\u003e: Introduces a list-style main menu for quick settings access, flexible high-resolution touch-panel LCD, uninterrupted power via USB PD, and multiple mounting points for convenience and mobility.\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":50251270455601,"sku":"ILME-FX30B","price":1799.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0851\/8703\/5441\/files\/107845_original_local_1200x1050_v3_converted.webp?v=1712372908"},{"product_id":"canon-eos-r5-c-vr-content-creator-kit","title":"Canon EOS R5 C VR Content Creator Kit","description":"\u003cp\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eUnlock Your Creative Potential\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eImmerse your viewers in a whole new dimension of filming with the VR Content Creator Kit. This kit gives you the tools to create using Canon‚Äôs EOS VR System, beginning with the RF5.2mm F2.8 L Dual Fisheye Lens which features a beautifully engineered and optimized folded optical design, with separate Left and Right optical systems ‚Äî helping you capture stereoscopic 3D imagery with a 190¬∞ field of view to a single full-frame image sensor. Also included is the EOS R5 C, a Full-frame hybrid camera that expertly combines many of the video formats and features from the Canon Cinema EOS lineup with the distinguished still-imaging capabilities of the EOS R System.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e \u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003ePrecise video control for the dedicated video professional\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSupports 8K\/60P Internal RAW Recording\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eUp to 4K 120P slow and fast Motion Recording Mode in 4:2:2 10-bit\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eCanon Log 3 expands expressive possibilities\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eDigital interchangeable lens capable of enabling stereoscopic 3D 180¬∞ VR shooting to a single image sensor\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eStreamlined VR Workflow\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eStereoscopic 3D with an interpupillary distance of 60mm for natural parallax, with 190¬∞ field of view\u003c\/span\u003e\u003c\/li\u003e \u003cli\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eIncludes free software voucher* for EOS VR Utility Software or EOS VR Plug-in for Adobe Premiere Pro Software**\u003c\/span\u003e\u003c\/li\u003e \u003c\/ul\u003e\u003cp\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eNow, Creators Can Go From Traditional Stills or Video Shooting to Stereoscopic 3D Capture with a Simple Lens Swap\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eThe pairing of the RF5.2mm F2.8 L Dual Fisheye Lens and the EOS R5 C brings high resolution video recording at up to 8K DCI 30p and 4K DCI 60p. With a beautifully engineered folded optical design, the dual high-performance L-series fisheye lens combine imagery onto a single image sensor delivering impressive results to a single file. This can help simplify your workflow by eliminating the need to sync and stitch multiple video files. An integral part of the EOS VR System, Canon's EOS VR Utility software can easily convert footage to your choice of editing software. For Adobe¬Æ Premiere Pro¬Æ users, the EOS VR Plug-in software can help streamline your editing process. Both paid subscription-based software solutions allow for convenient post-production. Creatives, industry professionals and newcomers to VR can create an immersive experience, capturing dynamic scenes for entertainment, tourism, training \u0026amp; education, real estate, storytelling or anywhere you want to bring your audience to.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eVR With Ease\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eThe VR Content Creator Kit provides the capability of delivering a single file -- creating a powerful and convenient solution compared to traditional VR systems which capture a 3D scene with two separate fisheye lenses, recording that imagery to two separate cameras or image sensors, which write two files. This can save the user time and effort behind the camera, and in post-production by helping to solve issues such as multi-camera positioning, multi-lens syncing, image stitching, audio syncing, encoding and more.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eCamera Firmware\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eTo help improve the user experience with the uniqueness of shooting with the RF5.2mm F2.8 L Dual Fisheye lens, special features have been added to the firmware to optimize VR shooting. This firmware provides metadata information for the software to convert the image from fisheye to equirectangular. One of the features enabled with the use of this lens is a \"Magic Window\" on-screen overlay, accessed by tapping the [INFO] button that assists the creator in framing the central resting position which shows an approximate field of view in the composition. ¬†The user can magnify at 6x and 15x magnification then also use MF Peaking while magnified (a first for Canon EOS cameras) and additionally can swap between the left and right lenses with a simple tap of the [INFO] button while magnified. This is incredibly useful when manually focusing the lens.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eEOS VR Utility and EOS VR Plugin\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eCanon's subscription-based software solutions are an integral part of Canon's EOS VR System. Options include the EOS VR Utility or the EOS VR Plug-in for Adobe Premiere Pro, each providing a different workflow experience for VR creators and studios. ¬†With either solution, conversion of the Dual Fisheye lens imagery to stereoscopic 3D 180¬∞ VR format in equirectangular imagery is possible, as well as the processing and exporting of the imagery at various resolutions and file formats so files can be viewed in compatible Head Mount Displays (such as the Meta Quest 2 or Pico G2) and other VR viewing platforms.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eConvenient VR Workflow\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eSimplify your workflow by eliminating the need to sync and stitch multiple video files. Canon's EOS VR Utility software can easily convert footage from dual fisheye to an equirectangular file that can be exported in various file formats and resolutions. For Adobe users, the EOS VR Plug-in allows for equirectangular conversion to be done within the Adobe Premiere Pro application. Now, conversion, editing, and color grading can be done without leaving the Adobe ecosystem. Both paid subscription-based Canon software solutions allow for convenient post-production.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eThe Hybrid Camera for Photo and Video\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eWhether capturing stills or videos, you‚Äôll love the fast and intuitive autofocus, excellent imaging, versatility of non-stop 8K\/60P RAW recording, and fast motion recording without cropping the sensor ‚Äì all in a compact and lightweight design built on the next generation RF Mount System.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eHybrid Photo \u0026amp; Video Capabilities\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eOne flip of the switch and the EOS R5 C transforms from a world class stills camera to a fully-fledged Cinema Camera. Perfect for switching between photography and cinematography.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eSee All the Details With 8K Video and 45MP Stills\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eEnjoy full creative flexibility with high-resolution video and stills. We‚Äôre talking up to 8K\/60P internal RAW or cinema RAW light recording, HDMI 8K RAW output to compatible recorders, and 8K HDR recording (PQ\/HLG) for high-quality, lifelike images that are sure to impress. Canon's 45 Megapixel full-frame CMOS imaging sensor is at the heart of the EOS R5 C camera's superb image quality, providing impressive still-image continuous shooting at speeds of up to 20 frames per second, and with Dual Pixel CMOS AF II capability, to track split second movements of even the most elusive subjects.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eFits Comfortably in Your Hand\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003ePerfect for agile crews or for use as a B-Cam, the EOS R5 C's internal cooling fan enables virtually limitless shooting in high-definition 8K\/60P video. Its compact, lightweight, and ergonomic design makes handheld shooting a breeze, whether shooting video or still images.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eRF L-Series Lens\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eTaking full advantage of the large diameter, short back focus distance of the mirrorless Canon RF mount, the RF5.2mm F2.8 L Dual Fisheye Lens has two identical, L-series fisheye lenses. Positioned with 60mm of spacing between Left and Right Lens centers, they provide an interpupillary distance closely resembling human vision with a natural parallax for a powerful, immersive experience that brings the viewer to feel they are within the scene where the video or still image takes place. In addition to all the strong stereoscopic 3D 180¬∞ VR benefits, this lens also features the high image quality you've come to expect from Canon's RF L series lenses.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eL-Series Lens Elements\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eThe RF5.2mm F2.8 L Dual Fisheye Lens features 12 elements in 10 groups, highlighted by two UD (Ultra-low Dispersion glass) elements and prisms in both the Left and Right lenses giving impressive color, clarity, and minimal chromatic aberration to the image.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eManual Focusing\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eCoordinated manual focusing of both lenses allows you to focus each lens using the manual focus ring. If needed, the ability to adjust a Left-Right focus difference adjustment dial to refine focus of the right lens separately from the left lens is possible by using the included hexagon wrench.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eImpressive Flare Control in Backlit Conditions from Use of Subwavelength Structure Coating (SWC)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eCanon's SWC technology decreases ghosting and reflections that may occur, when shooting in more challenging lighting conditions such as during strong backlight, providing versatility and more uniform color balance in the scene.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eLarge Aperture of f\/2.8 To a Deep Depth of Field of f\/16\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eThe RF5.2mm F2.8 L Dual Fisheye Lens is designed with dual optical systems with coordinated electronically controlled apertures. These provide a highly adaptable aperture range ‚Äî allowing you to go from a bright f\/2.8 aperture in low light shooting, to a deep depth of field of f\/16 for more control of your exposure in brighter environments. Additionally, a gelatin filter holder is located at the rear of the lens allowing optional gel filters to be used similarly to previous Ultra-wide angle Canon lens offerings.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eCompact, Lightweight and Portable\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eThanks to the RF mount and the folded optical design, the size and weight of this lens makes it easy to use ‚Äî even when shooting in tight spaces ‚Äî and easy to carry in a camera bag. The RF5.2mm F2.8 L Dual Fisheye Lens weighs under a pound and is just slightly over 2 inches in depth from mount to the end of the front elements ‚Äî creating an incredibly compact and lightweight solution.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003e\u003cstrong\u003eDust- and Water-Resistant Sealing with Fluorine Coating for Peace of Mind\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color:rgb(0,0,0);\"\u003eBuilt to L series lens specifications, the RF5.2mm F2.8 L Dual Fisheye Lens features a highly durable RF mount design. With dust- and water-resistant sealing, you can be confident shooting almost anytime and anywhere, even in challenging weather conditions. 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With a simple switch, the R5 C is a full featured still photo camera with all the settings of the R5 EOS mirrorless camera. When switched in the other direction, it becomes a full-frame 8K60 Cinema EOS camera that internally records 12-bit Cinema RAW Light footage. There's no more need to carry a second camera with you to your production when stills and video are available within a single compact design.\u003c\/p\u003e \u003cp data-mce-fragment=\"1\"\u003eThe R5 C enhances a number of features in comparison to its siblings the R5 and C70, including 4K120 recording, HDMI RAW output, Canon Log 3 HLG\/PQ support, unlimited recording time, a timecode port, Dual Pixel CMOS AF with eye detection, an active cooling system, a high-power LP-E6NH battery, 13 reassignable buttons, and a multi-function shoe for XLR adapters. The camera also retains the reliable features of those cameras such as Wi-Fi\/Bluetooth, footage compatibility with DaVinci Resolve and Canon apps, an electronic RF mount, CFexpress\/SD card slots, a similar button layout, and more. And all this is packed into a tiny 1.7 lb body that is just asking to become your go-to drone camera.\u003c\/p\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003ch3 data-mce-fragment=\"1\"\u003eCommon Features \u0026amp; Technology as the EOS R5\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003eCanon's 45MP full-frame CMOS imaging sensor is at the heart of the EOS R5 C camera's superb image quality, which also leads the way for impressive 8K60 RAW cinematic video shooting. \u003cul data-mce-fragment=\"1\"\u003e \u003cli data-mce-fragment=\"1\"\u003eFocus and speed are paramount in the EOS R5 C camera, providing impressive still-image continuous capture at speeds of up to 20 fps\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eDual Pixel CMOS AF II capability, to track split second movements of even the most elusive subjects\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eWith 1053 Automatic AF zones, it is easy to photograph people with the use of Eye, Face, and Head Detection AF, or intuitively track the whole body, face, or eyes of cats, dogs, or birds with Animal Detection AF\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eFor those with the need for speed, Canon has also included still-image vehicle subject detection to assist with accurate tracking of cars and motorcycles\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eConnectivity like 5 and 2.4GHz Wi-Fi and Bluetooth is also included for the transfer of still images\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003ch3 data-mce-fragment=\"1\"\u003eVideo Control for the Dedicated Video Professional\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003eAs soon as the EOS R5 C's main switch is moved to the \"video\" position, the familiar Cinema EOS menu system and interface take over. Expected high-level video features such as waveform monitors, video codec options, and extensive audio control become available, greatly expanding the EOS R5 C's video potential for the experienced camera operator or video content creator. During \"photo\" operation, menus are nearly the same as they are on the EOS R5 camera.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003ch3 data-mce-fragment=\"1\"\u003eErgonomic EOS Design\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003eThe EOS R5 C camera's body design is incredibly compact and lightweight. When paired with a Canon RF lens (or EF lens using the Mount Adapter EF-EOS R), it offers outstanding performance that fits easily and comfortably in your hand, making handheld shooting a breeze whether shooting video or still images. Its electronic viewfinder is optically extended, for eye-level viewing similar to the conventional EOS R5 camera, and it uses the same ergonomic grip design.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003ch3 data-mce-fragment=\"1\"\u003eCMOS Sensor and DIGIC X Processor\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003eThe 8K CMOS sensor and DIGIC X processor produce high-quality video at up to 8K60 resolution. Use of the Cinema RAW Light format with its high-efficiency mode enables internal card recording without an external recorder. The EOS R5 C camera supports HDR recording in Hybrid Log Gamma (HLG) and Perceptual Quantization (PQ) format, which helps ensure full color rendition and wide latitude with a great range from black to pure white, outstanding for the delivery of livestreams, broadcasts, and post-production projects.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003ch3 data-mce-fragment=\"1\"\u003e8K60 RAW Recording\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003eCinema RAW Light in 8K is amazing for post-production grading and archiving, or MP4, which is optimized for faster online use. 5.9K in Super 35mm mode and 2.9K in Super 16mm mode are also available for internal recording to CFexpress cards. Cinema RAW Light video files have been optimized for better efficiency to achieve 12-bit recording in all frame rates. Thanks to three newly developed Cinema RAW Light modes (High-quality RAW HQ, standard-quality RAW ST, and Light recording RAW LT), users can select the RAW video mode according to their shooting needs. Lighter, smaller proxy video files can also be recorded while shooting 8K.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe EOS R5 C camera supports RAW output via HDMI and ProRes RAW recording with compatible external recorders such as Atomos devices. By connecting the EOS R5 C camera with a supported external recorder, users can shoot in Apple ProRes RAW at up to 8K30. Proxy data can also be simultaneously recorded to an SD card in-camera, providing efficient post-production operations.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cp data-mce-fragment=\"1\"\u003eNOTE: Only Atomos NINJA V+ is supported as of January 2022. A separate HDMI cable is required to connect to the NINJA V+.\u003c\/p\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003ch3 data-mce-fragment=\"1\"\u003eDifferent File Formats and Simultaneous Recording\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003eAlong with Cinema RAW Light, which provides light data sizes for RAW recording, the EOS R5 C camera supports MXF-based XF-AVC as well as the highly versatile MP4. The EOS R5 C camera is also capable of recording two independent video files simultaneously, such as Cinema RAW Light and MP4 at various resolutions including 4K and HD, as well as lightweight proxy files for various professional workflows. XF-AVC offers robust 10-bit 4:2:2 files in a .MXF wrapper for simple compatibility with non-linear editing systems (NLEs) and existing workflows.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003ch3 data-mce-fragment=\"1\"\u003eInternal Cooling Fan Enables Nonstop 8K60 Recording\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003eThe EOS R5 C camera features a cooling fan built into the body, forcing out the heat from inside, enabling continuous and virtually limitless shooting of high-definition 8K60 video without interruption.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003ch3 data-mce-fragment=\"1\"\u003eExpanded Interface for Professional Needs\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003eThe EOS R5 C camera provides a timecode input\/output terminal for easy synchronization when shooting with multiple cameras and other interfaces. A cable protector is also included as standard to prevent cable disconnection or damage to the terminal if strong force is applied when connecting interface or HDMI cables.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003ch3 data-mce-fragment=\"1\"\u003eMulti-Function Shoe for Audio Recording\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003eCanon's multi-function shoe with digital audio interface supports the optional TASCAM CA-XLR2d-C professional audio XLR microphone adapter for up to 4-channel audio. This optional accessory adds two full-sized XLR terminals with phantom power and shotgun mic mount, enabling digital 4-channel and 24-bit audio recording to meet professional video production needs.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003ch3 data-mce-fragment=\"1\"\u003e13 Full-Featured Assignable Buttons\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003eThe EOS R5 C camera is designed with operational flexibility in mind, conforming to each individual professional workflow, including 13 marked, assignable buttons that allow for user-friendly customized operation.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003ch3 data-mce-fragment=\"1\"\u003e4K and 2K Oversampling\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003eThe EOS R5 C camera reads out signals for all effective pixels from its full-frame 8K sensor, enabling 4:2:2 10-bit high-definition recording through oversampling during 4K and 2K video recording. A high-definition debayer algorithm has been included and the 4K generated from the abundant RGB data of the 8K sensor enables more refined imaging capabilities with less incidence of moir√©, false colors, \"jaggies\", and noise.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003ch3 data-mce-fragment=\"1\"\u003eUp to 4K120 Slow and Fast Motion Recording Mode in 4:2:2 10-Bit\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003eThe EOS R5 C camera can record High Frame Rate (HFR) movies at up to 120p at DCI\/UHD 4K resolutions (4096 x 2160\/3840 x 2160) in 4:2:2 10-bit without cropping the sensor. Great for shooting scenes full of fast-paced action, the EOS R5 C camera's fast and intuitive autofocus remains enabled even during HFR recording, making it ideal when shooting from a gimbal or drone, delivering outstanding focus accuracy at HFR or at common frame rates.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003ch3 data-mce-fragment=\"1\"\u003eSimultaneous Audio Recording Enabled with HFR\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003eUnlike some other cameras where audio is not recorded during HFR shooting, the EOS R5 C camera can record .WAV audio as a separate file from video, virtually eliminating the need for separate audio recording and delivering HFR video and audio files in one convenient device when shooting slow motion or fast motion video.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003ch3 data-mce-fragment=\"1\"\u003eCanon Log 3 Expands Expressive Possibilities\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003eThe EOS R5 C camera features Canon Log 3, which is found in many Canon cameras and works with multiple Canon EOS and Cinema EOS cameras. The wide dynamic range can be used for a wider range of grading after shooting. Canon Log 3 is a gamma that is designed for simple grading, such as tightening dark areas and adjusting tones. It carries on Canon Log's ease of use with less noticeable noise. It can also be used when shooting with other Cinema EOS system cameras such as the EOS C300 Mark III and EOS C70 cameras.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003ch3 data-mce-fragment=\"1\"\u003eEnhanced Image Stabilization\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003eEnhanced image stabilization is achieved through coordinated control when Canon's RF lenses with optical IS are combined with the EOS R5 C camera's electronic IS when shooting XF-AVC or MP4 formats. With an RF lens that has optical IS and the electronic IS in the EOS R5 C camera, coordinated control helps achieve the optimum hand-shake correction effects. This helps achieve better anti-vibration performance than with conventional IS-equipped EF lenses (using optional Mount Adapter EF-EOS R) and electronic IS together.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003ch3 data-mce-fragment=\"1\"\u003eCanon VR with RF5.2mm F2.8 L Dual Fisheye Lens Support and Workflow\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003eThe EOS R5 C camera is an excellent camera pairing with Canon's RF5.2mm F2.8 L Dual Fisheye Lens to achieve stereoscopic 3D 180¬∞ VR video (viewing in 3D requires the use of a compatible Head Mount Display). A plug-in for Adobe Premiere Pro and Canon's EOS VR Utility are available to streamline the workflow from shooting to editing.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003ch3 data-mce-fragment=\"1\"\u003eDual Pixel CMOS AF with iTR AF X\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003eCanon's Dual Pixel CMOS AF technology uses every pixel on the imaging sensor to detect focus, and also to capture actual image information achieving both high precision focusing and high image quality. With most Canon RF and EF lenses, AF for video can be carried out over approximately 80% of the vertical and horizontal area of the screen. \u003cul data-mce-fragment=\"1\"\u003e \u003cli data-mce-fragment=\"1\"\u003eTouch AF allows positioning an AF point by simply touching the LCD screen, in addition to quick manual positioning with the 8-way multi-controller on the rear of the camera.\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eThe camera features Eye AF\/Head Detection AF, developed with the use of deep learning technology to improve subject tracking.\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eIt also provides human detection (eyes\/face\/head), allowing it to track subjects accurately even when AF control is not available.\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eUsers can track focusing as desired depending on their subject or shooting situation. A wide variety of AF modes enable autofocus shooting that flexibly responds to the subject's movement.\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eUsers can leave focusing to the camera and concentrate on their camera work.\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003ch2 data-mce-fragment=\"1\"\u003eStill Imaging Features\u003c\/h2\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003ch3 data-mce-fragment=\"1\"\u003eHigh Still-Image Quality Featuring a 45MP Full-Frame CMOS Sensor \u0026amp; DIGIC X Processor.\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003eStill-imaging features and operation are nearly identical to Canon's EOS R5 camera. The EOS R5 C camera features the same Canon-developed CMOS sensor with approx. 45 effective megapixels, and a DIGIC X Image Processor to enhance the speed of operations across the board. This means fast, efficient performance and phenomenal image quality for big prints, impressive video, and more.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003ch3 data-mce-fragment=\"1\"\u003eDIGIC X Image Processor with an ISO Range of 100-51200; Expandable to 102400\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003eDelivering high standard and expanded ISOs (for still images), and a broad range of options to help enhance shooting in varied and fast-changing lighting situations, the EOS R5 C camera can shoot at expanded sensitivities down to ISO 50 (L) and up to 102400 (H).\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003ch3 data-mce-fragment=\"1\"\u003eHigh-Speed Continuous Shooting\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cul data-mce-fragment=\"1\"\u003e \u003cli data-mce-fragment=\"1\"\u003eHigh-speed continuous shooting of up to 12 fps with Mechanical Shutter and up to 20 fps Electronic (Silent) Shutter\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eHigh-speed continuous shooting with full AF subject detection and tracking, at all still-image quality settings\u003c\/li\u003e \u003cli data-mce-fragment=\"1\"\u003eA high-precision Dual Pixel CMOS AF system allows the EOS R5 C camera to reliably capture approximately 100% of the still-image area, with most Canon lenses\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003ch3 data-mce-fragment=\"1\"\u003eSame Subject Detection and Tracking AF as the Canon EOS R5\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003eThe same subject detection and tracking AF as the Canon EOS R5 Camera, even at shooting speeds as fast as 20 fps.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003ch3 data-mce-fragment=\"1\"\u003eHead and Eye Detection\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003eSelect \"People\" as the EOS R5 C's \"subjects to detect,\" and like the EOS R5, it can focus on a detected person's eyes, face, head (if a face is obscured), or even entire body if a head cannot be detected.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003ch3 data-mce-fragment=\"1\"\u003eAnimal Detection\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003eFor still images, the same revolutionary Animal Detection AF as the EOS R5 can identify and focus upon eyes, faces, or bodies of birds, cats, and dogs, and can do so over virtually the entire image area with many Canon lenses. This opens up game-changing possibilities for wildlife images, even with subjects as challenging as birds in flight.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003ch3 data-mce-fragment=\"1\"\u003eVehicle Detection\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003eCarried over from the high-performance Canon EOS R3 camera, the EOS R5 C adds Vehicle Detection AF as a subject detection option, during still-image shooting. Cars and motorcycles, especially in racing applications, can be identified and tracked, even at high speeds. User-selectable Spot Detection lets the R5 C's AF detect the helmets of an exposed rider or driver, and put focus upon them, instead of the leading edge of the vehicle.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003ch3 data-mce-fragment=\"1\"\u003eAF Area Flexibility\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003eSelect the size of the active AF area from a precise single AF point to the entire available AF area and rapidly move a user-selected area via the 8-way multi-controller on the back of the camera. The EOS R5 C has the same range of choices for still-image AF method selection as the EOS R5 camera.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003ch3 data-mce-fragment=\"1\"\u003eAF Area Coverage of Approx. 100% x 100% for Still Images\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003eThe EOS R5 C camera features an expansive focus area of approximately 100% horizontal and 100% vertical when working with select RF and EF lenses, during still-image shooting. With older EF lenses, or with EF Extender types I and II, the EOS R5 C focuses on approx. 80% horizontally and 80% vertically of the image. This means fast and impressive focusing even when composing your subject far from the center of the frame.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003ch3 data-mce-fragment=\"1\"\u003eEV-6 Low-Light Autofocus\u003c\/h3\u003e \u003c\/div\u003e \u003cdiv data-mce-fragment=\"1\"\u003e \u003cdiv data-mce-fragment=\"1\"\u003eGreat for night photography or in very low-light settings, the EOS R5 C camera's brilliant AF can operate for still images in light as dim as a light rating of EV-6 where other AF systems may fail or search. Still-image AF is possible with lens + Canon RF tele extender combinations having maximum effective apertures as slow as f\/22 - meaning AF is still possible with the RF800mm F11 IS STM + RF2x extender.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003chr\u003e \u003cdiv\u003e \u003ch2\u003eCanon RF 24-105mm f\/4L IS USM Lens\u003c\/h2\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cp\u003ePrized for its versatility, the¬†\u003cstrong\u003eRF 24-105mm f\/4L IS USM\u003c\/strong\u003e¬†from¬†\u003cstrong\u003eCanon\u003c\/strong\u003e¬†is a wide-angle to short telephoto zoom characterized by its constant f\/4 maximum aperture. Ideal for use in nearly any shooting scenario, this zoom is benefitted by a five-stop-effective Image Stabilizer to minimize the appearance of camera shake for sharper handheld imagery. Also complementing handling is a unique customizable Control Ring, which can be configured to adjust a variety of exposure settings settings, including aperture, ISO, and exposure compensation. Benefitting image quality, the advanced optical design features a Super Spectra Coating, which helps to suppress ghosting and flare in order to improve contrast and color accuracy when working in bright and backlit conditions. Ideal for both photo and video applications, this lens also incorporates a Nano USM autofocus motor, which delivers quick, quiet, and precise focusing performance.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eStandard wide-angle to telephoto zoom lens is designed for use with full-frame Canon RF-mount mirrorless cameras.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eConstant f\/4 maximum aperture maintains consistent illumination throughout the zoom range.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eSuper Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eAn Optical Image Stabilizer helps to minimize the appearance of camera shake by five stops to better enable working in low-light conditions and with slower shutter speeds.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eNano USM system utilizes both a ring type USM and an STM mechanism to realize quick and accurate focusing that is also smooth and near-silent to suit both photography and video applications. This focusing system also affords full-time manual focus control when working in the one-shot AF mode.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eConfigurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eAs a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eRounded nine-blade diaphragm contributes to a pleasing bokeh quality.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":50435747873073,"sku":"5077C010","price":5099.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0851\/8703\/5441\/files\/canon-eos-r5-c-mirrorless-cinema-camera-with-rf-24-105mm-f4l-is-usm-lens-procam-2.jpg?v=1750688871"},{"product_id":"canon-eos-r5-c-mirrorless-cinema-camera-kit-with-rf-24-105mm-f-2-8-l-is-usm-z-lens","title":"Canon EOS R5 C Mirrorless Cinema Camera Kit with RF 24-105mm f\/2.8 L IS USM Z Lens","description":"\u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eCanon's 45MP full-frame CMOS imaging sensor is at the heart of the EOS R5 C camera's superb image quality, which also leads the way for impressive 8K60 RAW cinematic video shooting. \u003cul\u003e \u003cli\u003eFocus and speed are paramount in the EOS R5 C camera, providing impressive still-image continuous capture at speeds of up to 20 fps\u003c\/li\u003e \u003cli\u003eDual Pixel CMOS AF II capability, to track split second movements of even the most elusive subjects\u003c\/li\u003e \u003cli\u003eWith 1053 Automatic AF zones, it is easy to photograph people with the use of Eye, Face, and Head Detection AF, or intuitively track the whole body, face, or eyes of cats, dogs, or birds with Animal Detection AF\u003c\/li\u003e \u003cli\u003eFor those with the need for speed, Canon has also included still-image vehicle subject detection to assist with accurate tracking of cars and motorcycles\u003c\/li\u003e \u003cli\u003eConnectivity like 5 and 2.4GHz Wi-Fi and Bluetooth is also included for the transfer of still images\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eVideo Control for the Dedicated Video Professional\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003eAs soon as the EOS R5 C's main switch is moved to the \"video\" position, the familiar Cinema EOS menu system and interface take over. Expected high-level video features such as waveform monitors, video codec options, and extensive audio control become available, greatly expanding the EOS R5 C's video potential for the experienced camera operator or video content creator. During \"photo\" operation, menus are nearly the same as they are on the EOS R5 camera.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eErgonomic EOS Design\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eThe EOS R5 C camera's body design is incredibly compact and lightweight. When paired with a Canon RF lens (or EF lens using the Mount Adapter EF-EOS R), it offers outstanding performance that fits easily and comfortably in your hand, making handheld shooting a breeze whether shooting video or still images. Its electronic viewfinder is optically extended, for eye-level viewing similar to the conventional EOS R5 camera, and it uses the same ergonomic grip design.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eCMOS Sensor and DIGIC X Processor\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003eThe 8K CMOS sensor and DIGIC X processor produce high-quality video at up to 8K60 resolution. Use of the Cinema RAW Light format with its high-efficiency mode enables internal card recording without an external recorder. The EOS R5 C camera supports HDR recording in Hybrid Log Gamma (HLG) and Perceptual Quantization (PQ) format, which helps ensure full color rendition and wide latitude with a great range from black to pure white, outstanding for the delivery of livestreams, broadcasts, and post-production projects.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e8K60 RAW Recording\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003eCinema RAW Light in 8K is amazing for post-production grading and archiving, or MP4, which is optimized for faster online use. 5.9K in Super 35mm mode and 2.9K in Super 16mm mode are also available for internal recording to CFexpress cards. Cinema RAW Light video files have been optimized for better efficiency to achieve 12-bit recording in all frame rates. Thanks to three newly developed Cinema RAW Light modes (High-quality RAW HQ, standard-quality RAW ST, and Light recording RAW LT), users can select the RAW video mode according to their shooting needs. Lighter, smaller proxy video files can also be recorded while shooting 8K.\u003cbr\u003e\u003cbr\u003eThe EOS R5 C camera supports RAW output via HDMI and ProRes RAW recording with compatible external recorders such as Atomos devices. By connecting the EOS R5 C camera with a supported external recorder, users can shoot in Apple ProRes RAW at up to 8K30. Proxy data can also be simultaneously recorded to an SD card in-camera, providing efficient post-production operations.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e  \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eDifferent File Formats and Simultaneous Recording\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003eAlong with Cinema RAW Light, which provides light data sizes for RAW recording, the EOS R5 C camera supports MXF-based XF-AVC as well as the highly versatile MP4. The EOS R5 C camera is also capable of recording two independent video files simultaneously, such as Cinema RAW Light and MP4 at various resolutions including 4K and HD, as well as lightweight proxy files for various professional workflows. XF-AVC offers robust 10-bit 4:2:2 files in a .MXF wrapper for simple compatibility with non-linear editing systems (NLEs) and existing workflows.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eInternal Cooling Fan Enables Nonstop 8K60 Recording\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003eThe EOS R5 C camera features a cooling fan built into the body, forcing out the heat from inside, enabling continuous and virtually limitless shooting of high-definition 8K60 video without interruption.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eExpanded Interface for Professional Needs\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003eThe EOS R5 C camera provides a timecode input\/output terminal for easy synchronization when shooting with multiple cameras and other interfaces. A cable protector is also included as standard to prevent cable disconnection or damage to the terminal if strong force is applied when connecting interface or HDMI cables.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eMulti-Function Shoe for Audio Recording\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eCanon's multi-function shoe with digital audio interface supports the optional TASCAM CA-XLR2d-C professional audio XLR microphone adapter for up to 4-channel audio. This optional accessory adds two full-sized XLR terminals with phantom power and shotgun mic mount, enabling digital 4-channel and 24-bit audio recording to meet professional video production needs.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eMultiple Power Options\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eThe addition of Cinema RAW Light recording at higher resolutions and frame rates demands additional power for full lens functionality. In full-frame 8K60, Super 35 5.9K60, and Super 16 2.9K120 with Cinema RAW Light recording, standard LP-E6NH, LP-E6, or LP-E6N battery packs will not be able to power the electronics of RF lenses or EF lenses attached via an adapter. You can use purely mechanical lenses without issue at these settings.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e   \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e13 Full-Featured Assignable Buttons\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eThe EOS R5 C camera is designed with operational flexibility in mind, conforming to each individual professional workflow, including 13 marked, assignable buttons that allow for user-friendly customized operation.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e4K and 2K Oversampling\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003eThe EOS R5 C camera reads out signals for all effective pixels from its full-frame 8K sensor, enabling 4:2:2 10-bit high-definition recording through oversampling during 4K and 2K video recording. A high-definition debayer algorithm has been included and the 4K generated from the abundant RGB data of the 8K sensor enables more refined imaging capabilities with less incidence of moir√©, false colors, \"jaggies\", and noise.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eUp to 4K120 Slow and Fast Motion Recording Mode in 4:2:2 10-Bit\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003eThe EOS R5 C camera can record High Frame Rate (HFR) movies at up to 120p at DCI\/UHD 4K resolutions (4096 x 2160\/3840 x 2160) in 4:2:2 10-bit without cropping the sensor. Great for shooting scenes full of fast-paced action, the EOS R5 C camera's fast and intuitive autofocus remains enabled even during HFR recording, making it ideal when shooting from a gimbal or drone, delivering outstanding focus accuracy at HFR or at common frame rates.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eSimultaneous Audio Recording Enabled with HFR\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eUnlike some other cameras where audio is not recorded during HFR shooting, the EOS R5 C camera can record .WAV audio as a separate file from video, virtually eliminating the need for separate audio recording and delivering HFR video and audio files in one convenient device when shooting slow motion or fast motion video.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eCanon Log 3 Expands Expressive Possibilities\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eThe EOS R5 C camera features Canon Log 3, which is found in many Canon cameras and works with multiple Canon EOS and Cinema EOS cameras. The wide dynamic range can be used for a wider range of grading after shooting. Canon Log 3 is a gamma that is designed for simple grading, such as tightening dark areas and adjusting tones. It carries on Canon Log's ease of use with less noticeable noise. It can also be used when shooting with other Cinema EOS system cameras such as the EOS C300 Mark III and EOS C70 cameras.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eEnhanced Image Stabilization\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eEnhanced image stabilization is achieved through coordinated control when Canon's RF lenses with optical IS are combined with the EOS R5 C camera's electronic IS when shooting XF-AVC or MP4 formats. With an RF lens that has optical IS and the electronic IS in the EOS R5 C camera, coordinated control helps achieve the optimum hand-shake correction effects. This helps achieve better anti-vibration performance than with conventional IS-equipped EF lenses (using optional Mount Adapter EF-EOS R) and electronic IS together.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eCanon VR with RF5.2mm F2.8 L Dual Fisheye Lens Support and Workflow\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eThe EOS R5 C camera is an excellent camera pairing with Canon's RF5.2mm F2.8 L Dual Fisheye Lens to achieve stereoscopic 3D 180¬∞ VR video (viewing in 3D requires the use of a compatible Head Mount Display). A plug-in for Adobe Premiere Pro and Canon's EOS VR Utility are available to streamline the workflow from shooting to editing.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eDual Pixel CMOS AF with iTR AF X\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003eCanon's Dual Pixel CMOS AF technology uses every pixel on the imaging sensor to detect focus, and also to capture actual image information achieving both high precision focusing and high image quality. With most Canon RF and EF lenses, AF for video can be carried out over approximately 80% of the vertical and horizontal area of the screen. \u003cul\u003e \u003cli\u003eTouch AF allows positioning an AF point by simply touching the LCD screen, in addition to quick manual positioning with the 8-way multi-controller on the rear of the camera.\u003c\/li\u003e \u003cli\u003eThe camera features Eye AF\/Head Detection AF, developed with the use of deep learning technology to improve subject tracking.\u003c\/li\u003e \u003cli\u003eIt also provides human detection (eyes\/face\/head), allowing it to track subjects accurately even when AF control is not available.\u003c\/li\u003e \u003cli\u003eUsers can track focusing as desired depending on their subject or shooting situation. A wide variety of AF modes enable autofocus shooting that flexibly responds to the subject's movement.\u003c\/li\u003e \u003cli\u003eUsers can leave focusing to the camera and concentrate on their camera work.\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eStill Imaging Features\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eHigh Still-Image Quality Featuring a 45MP Full-Frame CMOS Sensor \u0026amp; DIGIC X Processor.\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eStill-imaging features and operation are nearly identical to Canon's EOS R5 camera. The EOS R5 C camera features the same Canon-developed CMOS sensor with approx. 45 effective megapixels, and a DIGIC X Image Processor to enhance the speed of operations across the board. This means fast, efficient performance and phenomenal image quality for big prints, impressive video, and more.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eDIGIC X Image Processor with an ISO Range of 100-51200; Expandable to 102400\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eDelivering high standard and expanded ISOs (for still images), and a broad range of options to help enhance shooting in varied and fast-changing lighting situations, the EOS R5 C camera can shoot at expanded sensitivities down to ISO 50 (L) and up to 102400 (H).\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eHigh-Speed Continuous Shooting\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cul\u003e \u003cli\u003eHigh-speed continuous shooting of up to 12 fps with Mechanical Shutter and up to 20 fps Electronic (Silent) Shutter\u003c\/li\u003e \u003cli\u003eHigh-speed continuous shooting with full AF subject detection and tracking, at all still-image quality settings\u003c\/li\u003e \u003cli\u003eA high-precision Dual Pixel CMOS AF system allows the EOS R5 C camera to reliably capture approximately 100% of the still-image area, with most Canon lenses\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eSame Subject Detection and Tracking AF as the Canon EOS R5\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eThe same subject detection and tracking AF as the Canon EOS R5 Camera, even at shooting speeds as fast as 20 fps.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eHead and Eye Detection\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003eSelect \"People\" as the EOS R5 C's \"subjects to detect,\" and like the EOS R5, it can focus on a detected person's eyes, face, head (if a face is obscured), or even entire body if a head cannot be detected.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eAnimal Detection\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eFor still images, the same revolutionary Animal Detection AF as the EOS R5 can identify and focus upon eyes, faces, or bodies of birds, cats, and dogs, and can do so over virtually the entire image area with many Canon lenses. This opens up game-changing possibilities for wildlife images, even with subjects as challenging as birds in flight.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eVehicle Detection\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eCarried over from the high-performance Canon EOS R3 camera, the EOS R5 C adds Vehicle Detection AF as a subject detection option, during still-image shooting. Cars and motorcycles, especially in racing applications, can be identified and tracked, even at high speeds. User-selectable Spot Detection lets the R5 C's AF detect the helmets of an exposed rider or driver, and put focus upon them, instead of the leading edge of the vehicle.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eAF Area Flexibility\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eSelect the size of the active AF area from a precise single AF point to the entire available AF area and rapidly move a user-selected area via the 8-way multi-controller on the back of the camera. The EOS R5 C has the same range of choices for still-image AF method selection as the EOS R5 camera.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eAF Area Coverage of Approx. 100% x 100% for Still Images\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eThe EOS R5 C camera features an expansive focus area of approximately 100% horizontal and 100% vertical when working with select RF and EF lenses, during still-image shooting. With older EF lenses, or with EF Extender types I and II, the EOS R5 C focuses on approx. 80% horizontally and 80% vertically of the image. This means fast and impressive focusing even when composing your subject far from the center of the frame.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eEV -6 Low-Light Autofocus\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eGreat for night photography or in very low-light settings, the EOS R5 C camera's brilliant AF can operate for still images in light as dim as a light rating of EV -6 where other AF systems may fail or search. Still-image AF is possible with lens + Canon RF tele extender combinations having maximum effective apertures as slow as f\/22 - meaning AF is still possible with the RF 800mm f\/11 IS STM + RF 2x Extender.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":50435866886449,"sku":"5077C026","price":6899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0851\/8703\/5441\/files\/1702304135_IMG_2143731.jpg?v=1750688799"},{"product_id":"blackmagic-design-pyxis-6k-ef-irix-21mm-45mm-nanuk-case-kit-734","title":"Blackmagic Design PYXIS 6K EF \u0026 Irix 21mm, 45mm, Nanuk Case Kit","description":"\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003eBlackmagic PYXIS 6K\u003c\/b\u003e (EF Mount) is the next-generation cinema camera that delivers precise skin tones and rich organic colors, built for versatile rigs on any set. This exclusive kit pairs the Blackmagic PYXIS 6K with IRIX 21mm and 45mm Cine lenses in a Nanuk Case Kit for seamless on-location shoots.\u003c\/p\u003e \u003cp\u003eWith a full-frame 36 x 24 mm 6K sensor, 13 stops of dynamic range and dual native ISO up to 25,600, PYXIS captures cinematic detail in bright light or near darkness. The rugged CNC-machined aerospace aluminum body offers multiple mounting points to tailor the rig for cranes, gimbals, or drones, while a built-in optical low-pass filter preserves color fidelity.\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eFull-frame 6048 × 4032 image resolution with 6K RAW and simultaneous H.264 proxies for fast editorial workflows\u003c\/li\u003e\n\u003cli\u003eEF Mount compatibility enables using existing lenses, with modular side plates and numerous mounting options for a tailored rig\u003c\/li\u003e\n\u003cli\u003eIRIX 21mm and IRIX 45mm Cine Lenses included for immediate wide and standard cinematic perspectives\u003c\/li\u003e\n\u003cli\u003eRecords 12-bit Blackmagic RAW and small H.264 proxies to CFexpress media, with Ethernet for Blackmagic Cloud sharing\u003c\/li\u003e\n\u003cli\u003eRugged CNC-machined aerospace aluminum construction and Nanuk Case Kit provide on-set durability and protection during transport\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003eElevate your production with this complete PYXIS kit and bring true cinema quality to every shoot.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Blackmagic Design PYXIS 6K EF \u0026 Irix 21mm, 45mm, Nanuk Case Kit","offer_id":51266723840305,"sku":"BMD-PYXIS-EF-IRIX-LENS-KIT","price":5935.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0851\/8703\/5441\/files\/bmd-pyxis-ef-irix-lens-kit-v2_1.jpg?v=1747188159"},{"product_id":"blackmagic-design-pyxis-6k-l-irix-21mm-45mm-nanuk-case-kit-735","title":"Blackmagic Design PYXIS 6K L \u0026 Irix 21mm, 45mm, Nanuk Case Kit","description":"\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003eBlackmagic PYXIS 6K (L Mount)\u003c\/b\u003e is a modular cinema camera designed to scale your rig for any production. This exclusive bundle pairs the PYXIS 6K L with IRIX 21mm and 45mm cinema lenses and a Nanuk case for instant ready-to-shoot setups.\u003c\/p\u003e \u003cp\u003eTake advantage of the full-frame 6048x4032 sensor with 13 stops of dynamic range and dual native ISO up to 25,600 for cinematic skin tones in any lighting. The L-Mount model accepts the latest Leica, Panasonic, and Sigma glass and works with adapters to expand your lens ecosystem, keeping your workflow flexible and future-proof.\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eFull-frame 6K sensor:\u003c\/b\u003e 6048 x 4032 resolution with 13 stops of dynamic range and a built-in optical low-pass filter matched to the sensor.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eUltra-compatible recording:\u003c\/b\u003e 12-bit Blackmagic RAW and H.264 proxies recorded simultaneously for high-quality master and fast-cut deliverables.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eFast media \u0026amp; cloud workflow:\u003c\/b\u003e 2x CFexpress recorders and Ethernet for quick transfers and Blackmagic Cloud syncing.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eRugged, adaptable build:\u003c\/b\u003e CNC-machined aerospace aluminum with multiple 1\/4\" and 3\/8\" mounts and side plates for cranes, gimbals, or drones.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eIncluded lenses \u0026amp; case:\u003c\/b\u003e IRIX 21mm and 45mm cinema lenses in a Nanuk case kit for instant cinematic setups.\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003eElevate your productions with this Blackmagic PYXIS 6K L \u0026amp; IRIX kit—order today and start filming with true cinematic depth.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Blackmagic Design PYXIS 6K L \u0026 Irix 21mm, 45mm, Nanuk Case Kit","offer_id":51266723873073,"sku":"BMD-PYXIS-L-IRIX-LENS-KIT","price":5935.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0851\/8703\/5441\/files\/bmd-pyxis-l-irix-lens-kit-v2_1.jpg?v=1747188158"},{"product_id":"blackmagic-design-pyxis-6k-pl-irix-21mm-45mm-nanuk-case-kit-736","title":"Blackmagic Design PYXIS 6K PL \u0026 Irix 21mm, 45mm, Nanuk Case Kit","description":"\u003cdiv\u003e\n\u003cp\u003eBlackmagic PYXIS 6K redefines on-set cinema with a modular, full-frame 6K sensor. 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With a full-frame 6048 x 4032 sensor delivering 13 stops of dynamic range and dual native ISO up to 25,600, plus a built-in optical low-pass filter and Blackmagic RAW recording, it’s available in EF, PL or L-Mount to fit your lens ecosystem.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eFull-frame 6K sensor (6048 x 4032) with 13 stops of dynamic range and dual native ISO up to 25,600\u003c\/li\u003e \u003cli\u003eRecords 12-bit Blackmagic RAW and tiny H.264 proxies simultaneously for flexible workflow\u003c\/li\u003e \u003cli\u003ePL mount design (also available in EF or L-Mount variants) for industry-standard cinema lenses\u003c\/li\u003e \u003cli\u003eDual CFexpress media recorders and Ethernet connectivity for Blackmagic Cloud\u003c\/li\u003e \u003cli\u003eRugged CNC-machined aerospace aluminum body with multiple 1\/4\" and 3\/8\" mounts and side plates for full rig customization\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003eElevate your next production with this all-in-one cinema kit and start capturing cinematic content today.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Blackmagic Design PYXIS 6K PL \u0026 Irix 21mm, 45mm, Nanuk Case Kit","offer_id":51266723938609,"sku":"BMD-PYXIS-PL-IRIX-LENS-KIT","price":6355.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0851\/8703\/5441\/files\/bmd-pyxis-pl-irix-lens-kit-v2_1.jpg?v=1747188157"},{"product_id":"canon-eos-r5-c-rf-24-105mm-f4-0-lens-kit-2","title":"Canon EOS R5 C RF 24-105mm F4.0 Lens Kit","description":"\u003cp\u003eThe Canon EOS R5 C with RF 24-105mm F4.0 L IS USM Lens Kit combines Canon's flagship cinema-hybrid mirrorless camera with one of the most versatile L-series zoom lenses available — a complete, ready-to-shoot solution for professional cinematographers and hybrid shooters who demand the best from both still photography and video production.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCamera:\u003c\/strong\u003e Canon EOS R5 C — cinema version of the EOS R5 with active cooling for unlimited recording\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensor:\u003c\/strong\u003e 45MP full-frame CMOS (stills) \/ 8K RAW internal video recording\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVideo:\u003c\/strong\u003e 8K RAW (Canon RAW Lite) at up to 29.97p; 4K up to 120p; 2K up to 180p — Canon Cinema Log 3\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLens Included:\u003c\/strong\u003e RF 24-105mm F4.0 L IS USM — full-frame L-series zoom with 5-stop optical IS\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMount:\u003c\/strong\u003e Canon RF — compatible with the full range of RF and EF lenses (via adapter)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAutofocus:\u003c\/strong\u003e Dual Pixel CMOS AF II with subject detection (human, animal, vehicle)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStills:\u003c\/strong\u003e Up to 12 fps mechanical \/ 20 fps electronic; RAW and HEIF output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCooling:\u003c\/strong\u003e Active cooling fan system enables unlimited 8K and 4K RAW recording without thermal throttling\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio:\u003c\/strong\u003e 3.5mm audio input; supports XLR adapter via multi-function shoe\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eThe EOS R5 C is the camera of choice for filmmakers who need professional cinema features — 8K RAW, Cinema Log 3, unlimited recording — in a compact mirrorless body that also performs as a top-tier 45MP stills camera. Paired with the RF 24-105mm F4.0, this kit covers wide to portrait focal lengths for a broad range of productions including documentary, narrative, commercial, and event work.\u003c\/p\u003e\u003cp\u003eQuestions? Contact us at sales@impulsemke.com or stop by our Milwaukee store.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51620334403889,"sku":"R5C24105F40LK","price":4599.0,"currency_code":"USD","in_stock":false}]},{"product_id":"canon-eos-r5-c-24-105mm-f2-8-lens-kit-1","title":"Canon EOS R5 C 24-105mm F2.8 Lens Kit","description":"\u003cp\u003eThe Canon EOS R5 C with RF 24-105mm F2.8 L IS USM Z Lens Kit delivers the ultimate combination of Canon's cinema-hybrid mirrorless camera with a fast, constant f\/2.8 L-series zoom — a premium kit built for cinematographers and directors of photography who need exceptional low-light performance, cinematic depth of field, and professional 8K RAW recording in a compact form factor.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCamera:\u003c\/strong\u003e Canon EOS R5 C — the cinema-focused variant of the EOS R5 with active cooling and Cinema Log 3\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensor:\u003c\/strong\u003e 45MP full-frame CMOS — 8K RAW internal recording (Cinema RAW Lite); unlimited recording via active fan cooling\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVideo:\u003c\/strong\u003e 8K RAW up to 29.97p; 4K up to 120p; 2K up to 180p — Cinema Log 3 for maximum dynamic range\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLens Included:\u003c\/strong\u003e RF 24-105mm F2.8 L IS USM Z — constant f\/2.8 throughout zoom range, with 5.5-stop Optical IS\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAperture Advantage:\u003c\/strong\u003e f\/2.8 constant aperture gives one full stop more light-gathering than the F4 kit — critical for low-light narrative and event work\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMount:\u003c\/strong\u003e Canon RF — full compatibility with RF and EF lens ecosystem (via adapter)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAutofocus:\u003c\/strong\u003e Dual Pixel CMOS AF II with subject and eye detection for stills and video\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStills:\u003c\/strong\u003e Up to 20 fps electronic shutter; 45MP RAW and HEIF\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio:\u003c\/strong\u003e 3.5mm mic input; multi-function shoe for XLR adapter\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eBuilt for serious film and commercial productions, the EOS R5 C paired with the RF 24-105mm F2.8 offers extraordinary versatility: run-and-gun documentary, narrative filmmaking, commercial shoots, and event coverage all benefit from the one-lens-covers-everything convenience and the cinematic rendering of a fast L-series zoom at f\/2.8.\u003c\/p\u003e\u003cp\u003eQuestions? Contact us at sales@impulsemke.com or stop by our Milwaukee store.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51620334469425,"sku":"R5C24105F28LK","price":6399.0,"currency_code":"USD","in_stock":false}]},{"product_id":"canon-eos-c50","title":"Canon EOS C50 Cinema Camera","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe EOS C50 camera is designed to maximize creative freedom. The compact, full-featured camera body includes Canon's newly developed 7K full frame CMOS sensor with 3:2 open gate internal recording capabilities, 4K\/120P and Cinema RAW Light up to 7K\/60P. The EOS C50 features Canon‚Äôs next-generation Dual Pixel CMOS AF II, simultaneous 2K crop recording, built-in Frame.io Camera-to-Cloud integration, and supports XC protocol which allows for remote control over IP via Wi-Fi¬Æ or a compatible third-party USB-C ethernet adapter. The included detachable top handle adds two full-size XLR audio inputs, a start-stop button, and a zoom rocker. In addition, this camera can capture 32MP still images in Photo mode. The EOS C50 seamlessly integrates into almost any production environment, delivering flexibility and outstanding image quality in a package that practically fits in the palm of your hand.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"subtitle small-subtitle\"\u003eNewly Developed 7K Full Frame CMOS Sensor\u003c\/h3\u003e\n\u003cp class=\"text\"\u003eThe EOS C50 features a newly developed 7K full-frame CMOS sensor. The sensor offers exceptionally low noise, enabling it to excel in a wide variety of lighting situations and maximizing the camera‚Äôs full dynamic range. The high resolution and realism of 7K enable richer creative expression as well as greater flexibility in workflows, including oversampled 4K 60P.\u003c\/p\u003e\n\u003ch3 class=\"subtitle small-subtitle\"\u003eFull Frame 3:2 ‚ÄúOpen Gate‚Äù Sensor Mode\u003c\/h3\u003e\n\u003cp class=\"text\"\u003eThe EOS C50 is the first Cinema EOS camera to feature open gate recording options, utilizing the full dimensions of the sensor. By selecting Full Frame 3:2 from the Sensor Mode section of the main menu, you can shoot using the full area of the sensor and then use that information in post to crop and re-frame your footage to the aspect ratio of your choice. This is especially valuable when shooting with full-frame anamorphic lenses.\u003c\/p\u003e\n\u003ch3 class=\"subtitle small-subtitle\"\u003eSupport for Anamorphic Lens Desqueeze\u003c\/h3\u003e\n\u003cp class=\"text\"\u003eAnamorphic lenses have an elongated rear element that makes it possible to utilize flare and bokeh effects that cannot be achieved with ordinary lenses. The EOS C50 provides desqueeze magnification options including OFF\/2x\/1.8x\/1.5x\/1.3x.\u003c\/p\u003e\n\u003ch3 class=\"h4\"\u003eDual Base ISO\u003c\/h3\u003e\n\u003cp\u003eThe full-frame 7K sensor of the EOS C50 offers dual base ISO, which allows the camera to deliver stunning imagery in a wide range of lighting conditions. With base ISOs of 800 and 6400 in Canon Log 2, you will be able to maximize the full dynamic range of the sensor in almost any shooting scenario. The camera also features Auto Selection, which automatically switches from one of the two base ISO levels to another level while maintaining the dynamic range.\u003c\/p\u003e\n\u003ch3 class=\"h4\"\u003e7K 60P Internal RAW Recording and 4K 120P High Frame Rate Recording\u003c\/h3\u003e\n\u003cp\u003eThe EOS C50 can record up to 7K 60P Cinema RAW Light with an additional three 12-bit Cinema RAW Light recording modes: HQ, ST and LT.\u003c\/p\u003e\n\u003cp\u003eOther recording options include our standard XF-AVC codec which can record in 10-bit 4:2:2, creating rich detail and smooth imagery at frame rates up to 120P, without cropping the image from the sensor. For slow or fast motion recording, the EOS C50 can support up to 4K 120P and 2K 180P.\u003c\/p\u003e\n\u003cp\u003eAdditionally, the C50 features the XF-AVC S and XF-HEVC S recording codecs. These formats feature an easy-to-manage naming system and folder structure, while recording in the familiar MP4 format and preserving metadata.\u003c\/p\u003e\n\u003ch3 class=\"subtitle small-subtitle\"\u003eHigh Frame Rate Recording with Auto Focus and Subject Detection\u003c\/h3\u003e\n\u003cp class=\"text\"\u003eThe camera‚Äôs Dual Pixel CMOS AF II enables you to keep your subject in focus during slow or fast shooting at speeds up to 4K\/120P or 2K\/150P. This will help to ensure that even at high frame rates, your subject will remain in clear focus.\u003c\/p\u003e\n\u003ch3 class=\"h4\"\u003eSimultaneous Crop Recording\u003c\/h3\u003e\n\u003cp\u003eWhen shooting for social media, an added benefit of the camera is that it allows for simultaneous crop recording when shooting in 4K DCI or UHD, allowing you to record at your chosen aspect ratio while also recording a cropped portion of the frame in 2K. When shooting in simultaneous crop mode, you have up to three format options, depending on your shooting mode: 9:17, 9:16, or 1:1. This will help to reduce turnaround time when formatting videos for different deliverables.\u003c\/p\u003e\n\u003ch3 class=\"h4\"\u003eDual Card Slots\u003c\/h3\u003e\n\u003cp\u003eCFexpress (type B) and SD card slots on the EOS C50 allow for simultaneous recording even when shooting RAW. All recording options are recorded to the camera‚Äôs CFexpress slot with sub-recording and proxy options available on the SD card slot.\u003c\/p\u003e\n\u003ch3 class=\"h4\"\u003eDual Pixel CMOS AF II\u003c\/h3\u003e\n\u003cp\u003eThe EOS C50 supports the next generation of Canon‚Äôs acclaimed Dual Pixel CMOS Autofocus, Dual Pixel CMOS AF II. The camera‚Äôs sensor provides superb light-capturing efficiency, widening the area of the sensor that can be used for AF to approximately 100% by 100%.\u003c\/p\u003e\n\u003cp\u003eThe subject detection algorithm utilizes deep learning technology. The face\/eye detection can now be set with either left or right eye priority in both humans and animals. Additionally, the animal detection AF now also includes birds.\u003c\/p\u003e\n\u003ch3 class=\"h4\"\u003eVertical Shooting UI\u003c\/h3\u003e\n\u003cp\u003eWhen shooting vertically, the display on the EOS C50 can be switched to a UI that supports vertical shooting. It also supports touch controls for recording start\/stop from the vertical screen mode.\u003c\/p\u003e\n\u003cp\u003eAlong with the shooting UI, menu settings and LCD brightness adjustments are also reoriented for vertical shooting to provide an easy-to-read layout.\u003c\/p\u003e\n\u003ch3 class=\"subtitle small-subtitle\"\u003eLight and Compact Body Design Including Detachable Handle with Built-in XLR Inputs, REC and Zoom Control\u003c\/h3\u003e\n\u003cp class=\"text\"\u003e¬†\u003c\/p\u003e\n\u003cp\u003eThe EOS C50 is the smallest and lightest Cinema EOS camera to date. The light and compact body makes shooting in tight spaces easier with greater freedom in angles and movement, and it reduces fatigue even during long hand-held shots.\u003c\/p\u003e\n\u003cp\u003eThanks to its flat and linear design with few protruding parts, you can easily attach a mic, rig, gimbal, or other accessories to customize the camera in multiple ways to fit your shooting style.\u003c\/p\u003e\n\u003cp\u003eThe included handle unit can also be attached to shoot subjects from a low or crooked angle, enabling more diverse and flexible visual capabilities. The handle also contains two built-in, full-sized 3-pin XLR inputs with 48V phantom power to record high-quality audio with an external mic. Additionally, the handle comes with a start\/stop button and a zoom rocker.\u003c\/p\u003e\n\u003ch3 class=\"subtitle small-subtitle\"\u003eVariety of Interfaces\u003c\/h3\u003e\n\u003cp class=\"text\"\u003e¬†\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eQuarter-inch Mounting Screw Hole\u003c\/li\u003e\n\u003cli\u003eTime Code Terminal (DIN)\u003c\/li\u003e\n\u003cli\u003eMicrophone Terminal\u003c\/li\u003e\n\u003cli\u003eHeadphone Terminal\u003c\/li\u003e\n\u003cli\u003eRemote Terminal\u003c\/li\u003e\n\u003cli\u003eUSB Type-C Terminal\u003c\/li\u003e\n\u003cli\u003eHDMI Output Terminal (Type-A)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3 class=\"h4\"\u003eEthernet, and Wi-Fi¬Æ Control\u003c\/h3\u003e\n\u003cp\u003eThe built-in Wi-Fi¬Æ enables Canon's IP-based remote control XC Protocol. Compatible third-party USB-to-Ethernet adapters will also provide additional options for connectivity.\u003c\/p\u003e\n\u003cp\u003eXC Protocol maximizes operability and remote control of camera settings. Using the XC Protocol, the camera can be operated by Canon‚Äôs RC-IP1000 and RC-IP100 controllers (sold separately), and XC Protocol-enabled third-party remote control panels (RCP) can remotely shade the camera.\u003c\/p\u003e\n\u003cp\u003eAdditionally, Canon‚Äôs Remote Control Camera Application and Multi-Camera Control App can control camera settings as well as multiple cameras. The camera also features SRT protocol, enabling IP streaming of video and audio.\u003c\/p\u003e\n\u003ch3 class=\"subtitle small-subtitle\"\u003eAdobe Frame.io Camera-to-Cloud Integration\u003c\/h3\u003e\n\u003cp class=\"text\"\u003eThe camera has native compatibility with Frame.io‚Äôs Camera-to-Cloud (C2C) technology. This feature enables you to send proxy files immediately after recording internally, directly from the camera, for a faster and more secure path from production to post. The efficient proxy files don‚Äôt require additional processing or conversion, and are available to view, share, and edit remotely between teams in different locations.\u003c\/p\u003e\n\u003ch3 class=\"h4\"\u003eVirtual Production Support\u003c\/h3\u003e\n\u003cp\u003eThe EOS C50 is able to output CV Protocol to multiple devices for virtual productions. Lens metadata can be utilized by running our CV Metadata Extraction plugin on compatible computers, greatly enhancing usability in virtual set environments.\u003c\/p\u003e\n\u003ch3 class=\"subtitle small-subtitle\"\u003eMount Adapter PL-RF with Cooke\/i¬Æ Technology Compatibility\u003c\/h3\u003e\n\u003cp class=\"text\"\u003eThe Mount Adapter PL-RF unlocks a broad assortment of PL mount lenses for the EOS C50 camera. 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Its Super 35 sensor shoots 6K in Blackmagic RAW with 13 stops of dynamic range, direct to a USB-C disk, and it uses the same EF lens mount ecosystem most working cinematographers already own. 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It's built for high-end production, feature films, episodic television, commercials, where crews need on-set monitoring, cloud-ready workflows, and hours of RAW recording without swapping media constantly. 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12K 17:9 up to 100fps; 12K 2.4:1 up to 120fps; 9K 3:2 Super 35 up to 100fps; 8K\/4K 3:2 open gate up to 144fps; 8K\/4K 2.4:1 up to 224fps\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eExposure, focus, and displays\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBuilt-in ND filters:\u003c\/strong\u003e Button-activated clear, 2-stop, 4-stop, and 6-stop IR ND\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFocus:\u003c\/strong\u003e Focus button enables peaking; autofocus available with compatible lenses\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIris control:\u003c\/strong\u003e Iris wheel and touchscreen slider for manual adjustment on electronic lenses; instant auto-iris button on compatible lenses; scene-average auto exposure in video mode\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eScreens:\u003c\/strong\u003e 2 monitoring screens plus 1 camera status screen; each monitoring screen is 5-inch, 1920 x 1080, 1500 nits, LCD capacitive touchscreen\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eControls and metadata\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMetadata:\u003c\/strong\u003e Automatically populated lens data via i\/Technology on compatible PL, LPL, and electronic EF lenses; automatic recording of camera settings and slate data (project, scene, take, notes)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControls:\u003c\/strong\u003e Touchscreen menus on the 5-inch screen plus push-button controls; 7 assignable shortcut keys, plus 6 more on the optional URSA Cine EVF\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTimecode clock:\u003c\/strong\u003e Less than 1 frame of drift every 8 hours\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eConnections\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eVideo outputs:\u003c\/strong\u003e 2 x SDI (1.5G, 3G, 6G, 12G)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog audio:\u003c\/strong\u003e 2 x XLR inputs, switchable mic\/line\/AES, phantom power support; 1 x 3.5mm headphone output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReference inputs:\u003c\/strong\u003e Tri-Sync\/Black Burst and Timecode\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eViewfinder:\u003c\/strong\u003e 1 x USB-C with power, data, video, and locking connector\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAccessory power\/control:\u003c\/strong\u003e 1 x 7-pin Lemo \"EXT\" (power out, serial communication, run\/stop); 1 x 3-pin Fischer \"RS\" (power out, run\/stop)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eComputer interface:\u003c\/strong\u003e 2 x USB-C side expansion ports for camera accessories and software updates\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEthernet:\u003c\/strong\u003e 1 x 10Gb\/s RJ-45 (10\/100\/1000\/10G BASE-T) for Web Media Manager, Blackmagic Cloud uploads, camera control, and streaming\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio:\u003c\/strong\u003e Integrated stereo microphone; 1 x mono speaker\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eVideo standards\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHD:\u003c\/strong\u003e 1080p23.98\/24\/25\/29.97\/30\/50\/59.94\/60; 1080i50\/59.94\/60\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUltra HD:\u003c\/strong\u003e 2160p23.98\/24\/25\/29.97\/30\/50\/59.94\/60\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI compliance:\u003c\/strong\u003e SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI audio:\u003c\/strong\u003e 48 kHz, 24-bit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eMedia, codecs, and storage rates\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia:\u003c\/strong\u003e 1 x Blackmagic Media Module (8TB included)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCodecs:\u003c\/strong\u003e Blackmagic RAW Constant Bitrate 3:1, 5:1, 8:1, 12:1, 18:1; Constant Quality Q0, Q1, Q3, Q5; H.264 proxy (1920 x 1080, 8-bit 4:2:0)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStorage rates at 24fps, 12K (12,288 x 8040):\u003c\/strong\u003e 3:1 - 1,194 MB\/s; 8:1 - 448 MB\/s; 12:1 - 298 MB\/s; 18:1 - 199 MB\/s; Q0 - 298-1,432 MB\/s; Q1 - 179-716 MB\/s; Q3 - 119-298 MB\/s; Q5 - 90-224 MB\/s\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStorage rates at 24fps, 9K (9408 x 6264):\u003c\/strong\u003e 3:1 - 713 MB\/s; 8:1 - 268 MB\/s; 12:1 - 178 MB\/s; 18:1 - 119 MB\/s; Q0 - 178-856 MB\/s; Q1 - 107-428 MB\/s; Q3 - 71-178 MB\/s; Q5 - 54-134 MB\/s\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStorage rates at 24fps, 8K (8192 x 5360):\u003c\/strong\u003e 3:1 - 533 MB\/s; 5:1 - 320 MB\/s; 8:1 - 200 MB\/s; 12:1 - 133 MB\/s; Q0 - 133-319 MB\/s; Q1 - 80-200 MB\/s; Q3 - 53-133 MB\/s; Q5 - 40-100 MB\/s\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStorage rates at 24fps, 4K (4096 x 2680):\u003c\/strong\u003e 3:1 - 135 MB\/s; 4:1 - 101 MB\/s; 5:1 - 81 MB\/s; 6:1 - 68 MB\/s; Q0 - 34-81 MB\/s; Q1 - 20-50 MB\/s; Q3 - 13-34 MB\/s; Q5 - 10-25 MB\/s (actual rates vary with image content)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecording formats:\u003c\/strong\u003e Blackmagic RAW at full sensor width\/height resolutions (12,288x8,040 \/ 6,912 \/ 6,480 \/ 5,112 and 9,648x8,040) and Super 35-windowed resolutions (9,408x6,264 \/ 8,688x4,896 \/ 9,312x4,896 \/ 9,312x3,864 \/ 7,680x6,408), each with film, extended video, or video dynamic range (or custom 3D LUT) embedded in metadata, plus simultaneous H.264 1920x1080 proxy recording\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eSoftware\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded:\u003c\/strong\u003e URSA Cine Blackmagic OS, DaVinci Resolve Studio for Mac and Windows (with activation key), Blackmagic Camera Setup, Blackmagic RAW Player, Blackmagic RAW QuickLook Plugin, Blackmagic RAW SDK\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOS compatibility:\u003c\/strong\u003e macOS 13 Ventura or 14 Sonoma and later; Windows 10 and 11\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003ePower\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower supply:\u003c\/strong\u003e +24V DC external, 100-240V AC 50\/60Hz (IEC C14 socket), Molex connector for rear battery plate\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExternal power input:\u003c\/strong\u003e 1 x 8-pin socket for external power or battery, B-Mount battery plate\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower output:\u003c\/strong\u003e 7-pin Lemo and 3-pin Fischer (+12V DC or +24V DC depending on supply); B-Mount battery plate with 2-pin Lemo +12V regulated output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003ePhysical and environmental\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperating temperature:\u003c\/strong\u003e 0° to 40°C (32° to 104°F)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStorage temperature:\u003c\/strong\u003e -20° to 45°C (-4° to 113°F)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelative humidity:\u003c\/strong\u003e 0% to 90%, non-condensing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eWhat's included\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eURSA Cine 12K body; PL mount (installed); EF mount and screws; Blackmagic Media Module 8TB; URSA Cine handle and bolts; top rod mount 15; baseplate 19; folding screen hood for the 5\" assist station; B-Mount battery plate; Wi-Fi antennas; PL and EF body caps; connector caps; +24V DC 250W power supply; DaVinci Resolve Studio with activation key; welcome wallet with software download QR code; Blackmagic sticker; custom-foamed Pelican 1510 case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eOptional accessories\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eURSA Cine EVF; Mount PL, LPL, EF, and Shims; Battery Plate (B-Mount, Gold Mount, V-Lock); Baseplate 15 and 19; Handle; Grips; 5\" LCD Sunshade; Media Dock; Media Module 8TB and CF; Video Assist 7\"\/5\" 12G HDR; Video Assist 7\"\/5\" 3G; ATEM Streaming Bridge\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eWarranty\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e12-month limited manufacturer's warranty\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51956726366513,"sku":"BMD-CINEURSAA12KLF","price":10445.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0851\/8703\/5441\/files\/bmd-cineursaa12klf_1_2e022ee0-908c-49dc-9ce7-8e8d0fb9da9c.jpg?v=1761800663"},{"product_id":"bmd-cineursaa12klf-evf","title":"Blackmagic Design URSA Cine 12K LF + EVF","description":"\u003cp\u003eBlackmagic Design URSA Cine 12K LF + EVF\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51956726530353,"sku":"BMD-CINEURSAA12KLF\/EVF","price":18475.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0851\/8703\/5441\/files\/bmd-cineursaa12klf-evf_59d30316-bef6-4680-93e6-f0b554d678b4.jpg?v=1761800664"},{"product_id":"bmd-cineursaa12klfbody","title":"Blackmagic URSA Cine 12K LF Body","description":"\u003cp\u003eThe Blackmagic URSA Cine 12K LF Body is the body-only version of the URSA Cine 12K, letting production companies that already own accessories from other Blackmagic cameras rig it at a lower cost. It's the same 12K large-format sensor and core electronics as the full kit, nothing is cut from image quality or performance, but it ships without the shoulder mount, handles, most lens mounts, battery plates, power supply, lenses, and the 8TB media module. 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It's built for large-format productions where extreme resolution and 16 stops of dynamic range matter more than portability. 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maintaining sensor. primary native which ideal lighting. secondary base shooting dimly lit environments. be set via switch lcd menu remotely sdi protocol. compatible optics specifically designed match lets modern lower cost older often feature resolutions well beyond at are fantastic because they par-focal stays as out don need constantly chase shoot. work much faster electronic adjust iris want alternative more optical nd filters neutral density quickly amount entering stop have been providing additional latitude better colorimetry. different combinations aperture shutter angle wider situations. ir evenly filter both wavelengths eliminating contamination. status on displayed fraction number reduction common media file formats standard all systems editing software. record prores hq into quicktime files. model h.265 incredibly small files compression ratios quality. revolutionary format capture preserve data types workflows. dual slots non recording cfast recorders sd card choose best inexpensive readily available computer stores. automatically continues onto next swap continues. speed video working frame rates. easy integrate your existing systems. usb-c direct external disks expansion port rear allows connect wide accessories. plug usb flash disk later just move waste time copying. will power plugged allow strong lightweight magnesium design super alloy body perfectly balanced comfortable day familiar externally mounted switches give access most important settings. laid logically making feel settings without having look buttons. foldout touchscreen monitoring viewing changing screen menus. connections xlr audio inputs industry pin dc connection touch folds monitor lots physical buttons knobs controls. heads display information menus luts custom presets. behind there extra levels. programmable function functions assigned such zebra false peaking each button visibility easily seen bright shows timecode locked reference along current rate white balance iris. battery indicator meters backlight turned locations off outdoors increase contrast read condition program doing live sometimes back switcher. simply press pgm viewfinder return feed speaker switcher well. operators left waiting long their watch show wait. operator distance away still keep what happening remain alert. load recreate looks logarithmic colorspace post production. however these viewed flat washed out. solve problem apply idea how finished editing. applied temporarily only recorded works point lut extended rec.2020 more. television latest output input. multi between other include headphone phantom front hirose connector lens. connecting hd-sdi style=\"\" supports rates whether sporting event breaking story smooth crystal clear slow motion video. higher frames per second but shooting. preferred sync hfr side setup ready go its instantly action gets exciting professional microphones has microphone recorder carry sound equipment stereo microphones. everything shotgun wireless clip mics. select link lapel single mono mic channels file. adjusting levels onscreen trim shoulder mounted. atem switchers protocol embedded connections. commands perform correction tally sent do correct works. someone manage not distracted trying free framing shots. too creates fidelity. scale down standards. helps stories air fast standards anywhere world sub pixel processing superior anti-aliasing sharp images. future proof f mounts interchangeable included mount. comes already installed spare included. starting photographic photography. purchase separately. virtually featuring end mini pro delivers greater advancement stunning accurate skin tones faithful every shot. gamma curve highlights shadows looking handles some complex preserved metadata like response adjustments davinci resolve studio. lot lose original detail. eliminates detail rich throughout whole pipeline. saves exposure resolve. responsiveness incredible. highest smallest fastest powered os intuitive user friendly operating system based technology. where run independently smoother powers instantly. easily. interface uses simple tap swipe gestures add view status. over tools hdr entry generator models multi-cam recordings timecode. bnc input detect lock internal generator. start shots matched imagine music festival multiple bin multiview photography demand ports daisy chain connection. precise very fine taking hands customized assign hardware mounting viewfinders smpte fiber accessories g2. kit v-lock plate top handle anything own would converter km duration option ssds u.2 inch nvme enterprise delivering transfer speeds mb blazing longer times q0 encoding. unique attaches directly battery. controlled worry about manually stopping ssd recorder. localized popular languages worldwide support setting english german french spanish portuguese italian russian polish ukrainian turkish chinese japanese korean. another language going switching overlays selected bluetooth positioning boom hard reach location feet away. download app ipad third party apps trigger ios android devices. developer sdk sample code website create slate solutions building jam time. possibilities endless batteries plates manufacturers idx blueshape anton bauer gold plate. supplies packs. batteries. cable vfx version software hollywood creating films episodic commercials cut page intelligent innovative help find footage edit together fast. addition legendary visual effects application editors colorists camera:=\"\"\u003e\u003c\/bthree\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51956738621745,"sku":"BMD-CINEURSAMWC6KG2","price":4815.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0851\/8703\/5441\/files\/bmd-cineursamwc6kg2-2_0af7f04d-2601-46fa-9d56-1044521f936c.jpg?v=1761800727"},{"product_id":"bmd-cineursamwcengk","title":"Blackmagic Design URSA Broadcast ENG Kit","description":"\u003cp\u003eBlackmagic Design URSA Broadcast 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The Blackmagic Studio Camera 4K Plus G2 has the same features as large studio cameras, miniaturized into a single compact and portable design. Designed for professional SDI switchers, you get the features of the Studio Camera Plus, as well as 12G\"˜SDI, XLR audio, bright HDR LCD, 5-pin XLR talkback, 10G Ethernet IP link, and HD live streaming. With digital film camera dynamic range and color science, this camera can handle extremely difficult lighting conditions while producing cinematic looking images. The sensor features an ISO up to 25,600 so you can create amazing images even in dimly lit venues. It even works under moonlight! Advanced features include tally, camera control, built in color corrector, Blackmagic RAW recording to USB disks and much more! You can even add a focus and zoom demand for lens control! Designed for Live Production While Blackmagic Studio Camera is designed for live production, it's not limited to use with a live switcher! That's because it records Blackmagic RAW to USB disks, so it can be used in any situation where you use a tripod! The large 7\" viewfinder makes it perfect for work such as chat shows, television production, broadcast news, sports, education, conference presentations and even weddings! The large bright display with side handles, touch screen and physical controls makes it easy to track shots while being comfortable to use for long periods of time. Because it's so lightweight, it's perfect when you're constantly changing locations and doing different kinds of work. Revolutionary Studio Camera Design Large broadcasters use expensive studio cameras that are extremely large, so they're not very portable. The distinctive Blackmagic Studio Camera has all the benefits of a large studio camera because it's a combination of camera and viewfinder all in a single compact design. It features a lightweight carbon fiber reinforced polycarbonate body with innovative technology in a miniaturized design. The camera is designed for live production so it's easy to track and frame shots with its large 7\" viewfinder. The touchscreen has menus for camera settings, and there's knobs for brightness, contrast and focus peaking. Plus a tripod mount with mounting plate is included for fast setup! Exceptional Low Light Performance In advanced cameras, ISO is a measurement of the image sensor's sensitivity to light. This means the higher the ISO the more gain can be added so it's possible to shoot in natural light, or even at night! The Blackmagic Studio Camera features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera, or remotely from a switcher using the SDI or Ethernet remote camera control. Get CinematicImages in Live Production! Amazing sensors combined with Blackmagic generation 5 color science give you the same imaging technology used in digital film cameras. That means you can now use cinematic images for live production! Plus, when combined with the built in DaVinci Resolve primary color corrector you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, perfect for color correction. Great for both HD and Ultra HD production, the 4K models feature a resolution of 3840 x 2160 and the 6K model has a resolution of 6144 x 3456. Plus, all models support 23.98 to 60 fps. Affordable Photographic Lenses! With the popular EF or MFT lens mounts, Blackmagic Studio Cameras are compatible with a wide range of affordable photographic lenses. Photographic lenses are incredible quality because they're designed for use in high resolution photography. Plus, the active lens mount lets you adjust the lens remotely! To eliminate the need to reach around to adjust the lens manually, the optional focus and zoom demands let you adjust the lens from the tripod handles just like a large studio camera! This means you avoid camera shake when adjusting the lens so you can track shots and operate the camera without taking your hands off the tripod! It gives you the same feel as an expensive B4 broadcast lens! Frame Shots with Large 7\" Viewfinder The large 7\" high resolution screen will totally transform how you work with the camera because it's big enough to make framing shots much easier. The Pro models features an HDR display with extremely high brightness, perfect outdoors in sunlight! On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can even apply 3D LUTs for monitoring shots with the desired color and look. The touchscreen also has menus and you can load and customize presets for different jobs. The included sun shade can be folded to protect the screen for transport plus it's compatible with sun shades from the Blackmagic Studio Viewfinder! Physical and Touchscreen Controls Blackmagic Studio Cameras feature physical buttons and knobs as well as controls on the touchscreen. Knobs on the right side of the camera allow adjusting of the brightness, contrast and focus peaking. The focus peaking knob is incredibly useful as it lets you fine tune the detail highlight so you can get perfect focus as you zoom. The 3 function buttons on the left can have functions assigned to them, such as zebra, false color, focus peaking, LUTs and more! Plus you can change the function assigned to each button in the menus. The touchscreen also includes a heads up display with the most important shooting information, as well as menus for all camera settings, LUTs and custom presets. Built-in Tally for On Air Status Blackmagic Studio Cameras feature a very large tally light that illuminates red for on air, green for preview and orange for ISO recording. The tally light also includes clip on transparent camera numbers, so it's easy for talent to see camera numbers from up to 20 feet away! The Blackmagic Studio Cameras support the SDI tally standard used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers. This means that a director can cut between cameras and the tally information will be sent back to the cameras via the SDI program return feed, lighting up the tally light on the camera whenever it's on air. SDI tally eliminates complex wiring so job setup is faster. Communicatewith the Director via Talkback Unlike consumer cameras, Blackmagic Studio Cameras have SDI connections that include talkback so the switcher operator can communicate with cameras during live events. That means the director can talk to the camera operators to guide shot selection, eliminating the problem where all cameras could have the same shot at the same time! All models support 3.5mm headsets that are designed for smartphones, while the Pro models support standard 5 pin XLR broadcast headsets. Talkback uses audio channels 15 and 16 in the SDI connection between the camera and the switcher, and in the program return from the switcher to the camera. This means any embedded SDI audio device can work with talkback! Powerful Broadcast Connections Blackmagic Studio cameras have lots of connections for connecting to both consumer and broadcast equipment. All models feature HDMI and 12G\"˜SDI with talkback, tally, camera control and record trigger, perfect for ATEM Mini or ATEM SDI switchers! You also get headphone and mic connections, and 2 USB\"˜C expansion ports. The advanced Blackmagic Studio Camera Pro models are designed for broadcast workflows so have 10GBASE\"˜T Ethernet and balanced XLR audio inputs. The 10G Ethernet allows all video, tally, talkback and camera power via a single connection so setup is much faster! That's just like a SMPTE fiber workflow, but using standard Category 6A copper Ethernet cable so it's much lower cost. Four Ways to Connect Blackmagic Studio Cameras can be connected in lots of different ways! All models feature HDMI so are perfect for HDMI switchers such as ATEM Mini. The HDMI supports video, tally, control and record trigger for a broadcast style workflow using a single HDMI cable. They also have 12G\"˜SDI so you can connect to SDI based switchers such as the ATEM Constellation. There's a 12G\"˜SDI connection for camera video, and one for program return. The program return also includes tally, talkback and remote camera control. Blackmagic Studio Camera Pro models can also use 10G Ethernet to get camera video, program return, tally, talkback, camera control and even power using a regular Cat6A Ethernet cable! Connect via HDMI Using the HDMI output, you can connect to switchers such as ATEM Mini! Plus the HDMI connection supports sending tally, color corrector control and record trigger back to the camera from the switcher. Connect via SDI Use the SDI output and the SDI program return for 2 way talkback between the camera and any SDI ATEM switcher. Tally and control is also sent to the camera via the SDI program return. Connect via Ethernet The 10G Ethernet connection allows all signals and camera power using a single Cat 6A copper Ethernet cable! That includes the camera video, program return, tally, talkback, camera control and more! Connect via USB Disk You can even shoot without a switcher as the large screen makes the camera fantastic for shooting while recording to Blackmagic RAW on a USB flash disk. The big screen makes framing shots very easy! Get Low Cost Camera Control via SDI All Blackmagic Design ATEM switchers can control cameras via a protocol embedded into the camera's SDI video connections. Setup is easy because all ATEM switchers broadcast control commands from the switcher's SDI program output to the camera via the SDI program input. The switcher can perform color correction, tally and lens control and these are sent to all cameras. All you need to do is select the correct camera number and it all works. Even ATEM Mini switchers can control Blackmagic Studio Cameras because the HDMI output to the switcher has return data communication that can send control information back to the camera. All this means the camera operator is free to focus on framing shots. Low Cost SMPTE Fiber Style Workflow The Blackmagic Studio Camera 4K Pro G2 and 6K Pro models support connecting cameras via a single Ethernet cable. It's so simple, just plug in and you're ready! Traditional broadcast studio cameras use SMPTE fiber to communicate and power cameras, however SMPTE fiber is very expensive. Blackmagic Studio Camera Pro models have 10G Ethernet as an alternative to SMPTE fiber so it's much lower cost. The Ethernet includes all camera video, program return feeds, tally, talkback, camera control and also power. The Blackmagic Studio Converter handles all video conversions at the switcher end plus adds power to the Ethernet cable. That means you don't need to connect power to the camera! Live Streaming for Global Remote Cameras Now you can place cameras remotely, anywhere in the world as the Blackmagic Studio Camera 4K Pro G2 and 6K Pro models have built in live streaming! This means you can place a camera in a remote location and it can generate a H.264 HD live stream that is sent over the internet back to the studio. Simply connect the camera to the internet using the built in Ethernet connection, or you can connect a 4G or 5G phone to the USB-C port to stream via remote data! The live stream is received in the studio by an ATEM Streaming Bridge where it's converted back to video for connection to a switcher. The ATEM Streaming Bridge can even send tally, talkback and camera control back to the camera! USB Expansion Port for Accessories The Blackmagic Studio Camera features a high speed USB-C expansion port that allows you to record to external disks, control the camera via a network or connect to a wide range of accessories. Plug in an external USB flash disk and the camera can record high quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time copying files. Or add a USB-C to Ethernet adapter to control your camera over a network via easy to use REST APIs. You can even copy files off the camera via the network! Plus plug in optional focus and zoom demands to allow full lens control, just like a large studio camera. Incredible Blackmagic RAW Quality Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Some file formats such as H.264 are highly compressed, so add noise and artifacts, causing sensor detail to be lost forever. Blackmagic RAW eliminates this problem so you get stunning images with incredible detail and rich color throughout the whole post production pipeline. Blackmagic RAW also saves camera settings as metadata so you can change ISO, white balance and exposure later in DaVinci Resolve. Plus the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance! Includes Built-in Microphones Blackmagic Studio Cameras include built in microphones so you get sound included in the design making setup much faster. Plus the built in microphones are shock and wind resistant, so you get great sound even in tough conditions! With each microphone placed at the edges of the screen, you get the advantage of the studio camera design for better stereo separation than what is possible on a regular video camera. There's also a 3.5mm audio input for connecting video camera microphones as well as a 3.5mm headphone jack. On the Blackmagic Studio Camera Pro model you get professional XLR audio inputs and a built in speaker for listening to the program return audio. World's Best Camera Audio Because the most common location to place microphones is near to cameras, the Pro models include the best audio ever designed into a studio camera! The professional 2 channel balanced XLR inputs support +24 dBu line level and have an ultra low noise microphone preamplifier with P48 phantom power alongside an equivalent input noise (E.I.N.) of -131 dBV(A). That's followed by two 117 dB high dynamic range analog to digital converters, so you get the high end audio demanded by broadcasters and audio engineers. This means any microphone plugged into the XLR inputs will have a higher level of noise than the camera's audio! Monitor Program Video The Blackmagic Studio Camera lets you view program video from the switcher at the press of a button! Simply press the camera's PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. Plus the built in speaker lets you monitor the switcher audio. Program return is a fantastic feature as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means even if the camera operator is a large distance away from the switcher, they can still keep up with what's happening and remain alert. Built In ND Filters Blackmagic Studio Camera 6K Pro features high quality, remote controllable ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2, 4 and 6 stop filters give you additional latitude even under harsh lighting. The filters are designed to filter both optical and IR wavelengths evenly, eliminating IR contamination of the images. The ND filters can be electronically controlled by the function buttons on the back of the camera, using buttons on the demand and remotely. Because they can be controlled remotely by the camera control operator, the camera operator is free to focus on getting the perfect shot! Powered by Blackmagic OS With the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more! Supports 3D LUTs for Film Looks! When Blackmagic RAW files use logarithmic film gamma to preserve the camera dynamic range, 3D LUTs can be used to convert the images on the viewfinder display from looking flat and washed out. 3D LUTs solve this problem because they convert the image just before it's displayed on the LCD. This allows the film gamma images being recorded to be converted to nicer looking images on the LCD. 3D LUTs are also saved into the Blackmagic RAW files so they can be used in later post production, but they are never burned into the Blackmagic RAW image data, so you always have the option to disable them. This means the 3D LUT is transported in the Blackmagic RAW file, but only used when you enable it. Localized in 13 Popular Languages The Blackmagic Studio Cameras are designed to be used worldwide so they support 13 popular languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Polish, Portuguese, Italian, Russian, Turkish, Ukrainian, Chinese, Japanese or Korean. It's easy to switch to another language simply by going into the menu settings. When switching between languages, all the on screen overlays, heads up display, and setup menus will be displayed in the selected language and you can change languages any time you like! Powers From DC or 10G Ethernet Blackmagic Studio Cameras have lots of different power options! All models have a common 12V DC locking power connector so the cable won't be accidentally pulled out. Plus, the camera includes a power supply with 5 different AC socket adapters for different countries. However if you're using a single Ethernet cable to connect to the Blackmagic Studio Camera Pro models, then the whole camera and its accessories can be powered from the Ethernet connection. The Blackmagic Studio Converter has a large power supply that adds PoE power to the Ethernet cable so you don't need any power connection to the camera. That's a great solution when there's no power available where the cameras are placed! Focus and Zoom Demands The optional zoom and focus demands can be added to turn affordable photography lenses into amazing broadcast lenses! The focus and zoom demands have USB-C connections so they work with all Blackmagic Studio Camera models. Each zoom and focus demand has 2 USB-C ports, so you can daisy chain them then connect to the camera with a single USB connection. The design has an incredibly precise feel and so you get very fine lens control, and you can frame and adjust the lens without taking your hands off the tripod handles. The buttons can be customized so you can assign different camera functions to them! Plus, hardware is included for mounting the focus and zoom demand onto tripod handles. Blackmagic Studio Converter With 10G Ethernet on the Pro models, you can connect all signals to the camera with the one Ethernet IP link connection. That means the camera feed, return program feed, timecode, reference, tally, talkback and control are all sent down the single cable. That's the same benefits of SMPTE fiber, but the standard 10G copper Ethernet cable is much lower cost. The Blackmagic Studio Converter allows breakout of all the video, audio and talkback connections at the studio end. It also includes a massive power supply that powers the camera down the Ethernet cable, so you don't need a power source near the camera. 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It combines 13 stops of dynamic range and Blackmagic's Generation 5 color science with live production essentials — SDI\/HDMI tally, two-way talkback, and remote camera control — plus built-in 2, 4, and 6-stop ND filters that can be adjusted remotely from a switcher. A single 10G Ethernet connection carries video, tally, talkback, and camera power over standard Cat6A cable, giving it a SMPTE-fiber-style workflow at a fraction of the cost.\u003c\/p\u003e\n\u003chr\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eNative 6K Sensor, 13 Stops Dynamic Range\u003c\/strong\u003e: Dual native ISO (400\/3200) up to 25,600 for clean images even under moonlight.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRemote-Controllable ND Filters\u003c\/strong\u003e: Built-in 2, 4, and 6-stop ND filters adjust from the camera or remotely via the switcher.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSingle-Cable 10G Ethernet Workflow\u003c\/strong\u003e: Carries video, tally, talkback, camera control, and power over one Cat6A Ethernet cable.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12G-SDI and HDMI Connections\u003c\/strong\u003e: Compatible with both broadcast SDI switchers and HDMI switchers like ATEM Mini.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBuilt-In DaVinci Resolve Color Corrector\u003c\/strong\u003e: Switcher-controllable primary color correction improves images before they go to air.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecords Blackmagic RAW to USB Disk\u003c\/strong\u003e: Functions as a standalone camera on a tripod, independent of a live switcher.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51956748517681,"sku":"BMD-CINSTUDMFT\/G26PDK","price":2775.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0851\/8703\/5441\/files\/bmd-cinstudmft-g26pdk_2ad7aa0d-6e04-4320-ba4a-10a578242cf6.jpg?v=1761800774"},{"product_id":"bmd-cinstudmft-uhd-mrg2","title":"Blackmagic Design Micro Studio Camera 4K G2","description":"\u003cp\u003eThe Micro Studio Camera 4K G2 packs a full-featured broadcast studio camera into a body not much bigger than its MFT lens mount, small enough to hide almost anywhere on set while still supporting 12G-SDI up to 2160p60 and remote lens\/color control from a switcher. Gain ranges from -12dB (ISO 100) up to +36dB (ISO 25,600), with a native ISO of 400 for studio lighting and a high-base ISO of 3200 for dim environments, and 13 stops of dynamic range paired with Blackmagic's generation 5 color science give it cinematic image quality despite the tiny form factor. It can record 12-bit Blackmagic RAW directly to a USB-C external disk, so it doubles as a lightweight cinema camera when it's not on a live switcher.\u003c\/p\u003e\n\u003chr\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMFT lens mount, 4096x2160 sensor\u003c\/strong\u003e: 13 stops of dynamic range, gain from -12dB (ISO 100) to +36dB (ISO 25,600).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12G-SDI up to 2160p60\u003c\/strong\u003e: full-size HDMI for local monitoring, same camera control protocol as ATEM switchers over both connections.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRemote color and lens control\u003c\/strong\u003e: switcher-driven active MFT lens mount adjusts focus\/zoom\/iris remotely; built-in DaVinci Resolve color corrector controllable from the switcher.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecords Blackmagic RAW to USB-C disks\u003c\/strong\u003e: 12-bit RAW recording via the USB-C expansion port for editing without a proxy workflow.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBuilt-in tally light\u003c\/strong\u003e: red for on-air, green for preview, orange for ISO recording, driven by SDI\/HDMI tally protocol from ATEM switchers.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51956748845361,"sku":"BMD-CINSTUDMFT\/UHD\/MRG2","price":1179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0851\/8703\/5441\/files\/bmd-cinstudmft-uhd-mrg2_8ee56f50-6bab-4e92-b14f-386049f94a7d.jpg?v=1761800782"},{"product_id":"kine-a010-001-01","title":"Kinefinity MAVO Edge 8K","description":"Kinefinity MAVO Edge 8K The MAVO Edge 8K is a brand-new large-format 8K cine camera. With a whole-new carbon fiber camera body, MAVO Edge is equipped with a stunning 8K 70P CMOS imaging sensor and cutting-edge image processing engine, which elevate the Kinefinity camera system to a whole new level. Featuring internal motorized full-spectrum e-ND, more industry-standard ports and dual SSD media slots, the highly integrated MAVO Edge still remains very compact and lightweight. At the same time, Kinefinity brings Apple ProRes4444\/XQ up to 8K to the MAVO Edge as an in-camera codec to make the workflow easier. The new 8K imaging sensor on the MAVO Edge is an amazing canvas with 45 million pixels on a 36x24mm full-frame CMOS sensor featuring 640\/2560 dual native ISO, 8K Wide up to 70fps and latitude up to 14+ stops. Even at open gate 3:2 , surprisingly this beast can still deliver a gorgeous image of 45 million pixels at up to 45 frames per second. All of these features allow cinematographers to create without boundaries, no matter for feature movies, production with VFX, high-end TV commercial and series, even wild-life documentaries. Not just getting highest resolution for motion pictures, MAVO Edge ensures natural color, pleasing skin tones, low noise, high dynamic range and stunning details in organic and delicate way, cinematically. MAVO Edge can directly record Apple's ProRes4444\/XQ codec which has been highly expected by the video industry. From the capture of its 8K CMOS image over the delicate color processing to the 8K ProRes4444 encoding and storage, these complex processes and the ultra-high bandwidth bitrate processing all happen within the compact MAVO Edge body. Aside from this, MAVO Edge also supports in-camera ProRes4444\/XQ and ProRes422HQ. Recognized by Hollywood's filmmaking industry, ProRes is an universal intermediate codec led by Apple Inc., delivers the flexibility of video with the incredible performance of ProRes in a format ideal for high-dynamic-range (HDR) content creation. For now, ProRes can be edited and graded in Apple Final Cut Pro X, Assimilate SCRATCH, Filmlight Baselight and so on. The whole-new integrated carbon fiber body has incorporated the full-spectrum e-ND system, dual SSD slots with blazing-fast NVMe M.2-based KineMAG Nano, comprehensive networking and creative power solution. MAVO Edge integrated the functions of KineBACK-W into the camera body with numerous professional ports: dual XLR ports for Phantom-powered 48V MIC, dual 1.5G\/3G-SDI monitoring outputs with metadata and audio embedded, time code input and output, SYNC, DC Power output, innovative hybrid battery plate with D-Tap port, and 12V RS port and Lens port (12V) to power the third-party accessories like wireless video transmitter and wireless lens motor directly. New-designed KineKIT Edge includes innovative baseplate, more compact EVF bracket, much stable Top Handgrip and new Side Support, which are flexible for MAVO Edge to use in different scenarios. Movcam brings dedicated KineKIT for MAVO Edge, especially the innovative 15mm baseplate with UPS function powered by two NP-F550 type batteries, due to specialized UPS power contacts at the bottom of MAVO Edge. New-designed KineKIT from Movcam takes into account of MAVO in different scenarios, such as hand-held, tripod, on shoulder, gimbal, high and low shooting angles, etc., which makes it best choice for MAVO Edge. MAVO Edge Specs \u003ctable624 imaging sensor full frame cmos max record res pixels active area rowspan=\"2\" dual base iso regular high to latitude stops shutter angle with rolling lens mount native kinemount short ffd pl ef e optical filter replaceable olpf uv and ir-cut nd built-in clear e-nd from iso:=\"\" adapters:=\"\" motorized:=\"\"\u003e\u003c\/table624\u003e","brand":"Kinefinity","offers":[{"title":"Default Title","offer_id":51957290434865,"sku":"Kine-A010-001-01","price":9999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0851\/8703\/5441\/files\/kine-a010-001-01_b89fd472-3912-4444-92d2-1251f349c95e.jpg?v=1761803851"},{"product_id":"kine-a010-002-01","title":"Kinefinity MAVO Edge 6K (Deep Gray)","description":"Kinefinity MAVO Edge 6K (Deep Gray) The MAVO Edge 6K is a powerful new full-frame cinema camera. Equipped with a 6K full-frame 3:2 CMOS imaging sensor capable of shooting in 6K 75fps and 4K 150fps based on the high-performance computing platform of the MAVO Edge, the camera features dual native ISO (800\/5120) and excellent highlights under various sensitivity settings. MAVO Edge 6K has an internal motorized full-spectrum e-ND filter(0.6-2.4), and integrates industry-standard ports and dual SSD media slots, capable of recording Apple ProRes4444\/XQ and uncompressed RAW onto recording media based on NVMe M.2 2280 SSD. Weighing at only 3.6lbs, this compact and lightweight camera boasts powerful performance and versatility as it adapts to various demanding shooting scenarios. Like other Kinefinity cine cameras, MAVO Edge 6K brings natural color, pleasing skin tones, low noise, high dynamic range, and stunning details in an organic and delicate way. The MAVO Edge 6K is the latest full-frame camera from Kinefinity since the release of MAVO Edge 8K, and it employs a full-frame 3:2 CMOS imaging sensor that not only shows cleaner images but also provides wider viewing angles, shallower depth of field, and more immersive presence. The advanced color processing architecture from the MAVO Edge platform creates images with low noise, high latitude, and wide color gamut, then brings stunning details, organic images with exceptional quality. In addition, the full-frame 6K CMOS sensor is perfectly ed with OLPF FF3 optical low pass filter that adopts a more complex and higher performance crystal process to\"“eliminate\"  aliasing\/artifacts while keeping very sharp images. The MAVO Edge 6K is equipped with dual native ISO, rated at 800 and 5120, as the second native ISO up to 5120 is perfect for low light scenes to obtain a clean image with high latitude and low noise, ideal for documentary filmmakers or those who favor available light during night shoots. MAVO Edge 6K outperforms its predecessor of MAVO LF a lot when it comes to highlight performance. At the industry standard ISO 800, the default highlight of the Edge 6K is 6.0 stops, capturing more highlight details to get a more cinematic look. Switch to Cine EI mode for more of a traditional cinema camera experience and highlight stops will adjust automatically as the EI changes. While using Cine EI mode, the second base native ISO 5120 is still activated when you go past 1600 EI. From Apple ProRes422 LT to ProRes4444 XQ and uncompressed RAW codec, the MAVO Edge 6K is capable of recording high-resolution images with high dynamic range and with low to zero compression artifacts. The MAVO Edge 6K supports 12-bit ProRes4444XQ in full frame rate and resolution, and it records with Kine LOG3 Gamma to preserve all the dynamic range captured by the CMOS imaging sensor. The MAVO Edge 6K is equipped with a dual SSD slot based on PCIe-3.0 and its recording media, blazing-fast KineMAG Nano 1TB, is based on NVMe M.2 2280 SSD, ensuring storing uncompressed RAW stably and safely. From capturing image data to color calibrating and tuning during encoding 6K ProRes4444XQ or storing uncompressed RAW to M.2 SSD, all these internal high bandwidth processing happens within the compact and lightweight body of the MAVO Edge 6K, quietly. The MAVO Edge 6K is implemented with the latest KineOS 7.0 firmware, which has a redesigned user interface, and expected touch and tapping interaction with the camera. The new KineMON-5U2 and 7U2 with touchscreen monitors help to improve the user's interactive experience and lower the learning curve. The new interface design allows the user to control the entire functionality of the camera using only the touchscreen monitor. Frame rate, shutter angle, ISO, aperture, ND strength, color temperature, LUTs, and audio levels can all be adjusted via touchscreen control, making it easy for the cinematographer to set up the parameters quickly. In addition to the new UI, the MAVO Edge 6K firmware has come with many features. KineOS 7.0 supports Cooke\/i protocol which enables the camera to record and save lens metadata into the footage, speeding up VFX workflow. Recording media also supports both NTFS and HFS file systems, for Windows and macOS. The MAVO Edge 6K will also implement the pre-recording function in an anticipated firmware update. It ensures the cinematographer will not miss any shot during unpredictable scenes, providing a useful solution in live events and documentary works. MAVO Edge 6K inherits the integrated body design of Kinefinity's flagship product, MAVO Edge 8K which won the prestigious iF DESIGN AWARD 2021. Its ultra-high strength deformed Aluminum body has superior strength and toughness even at high temperatures to meet a wide range of photographic needs. The compact camera body of the MAVO Edge 6K only weighs 1.6kg(3.6lbs), and it is equipped with a full-spectrum e-ND filter, dual SDI ports, multiple control ports, and multi-channel audio tracks, as well as powerful wired and wireless functions. The monitoring image from two proprietary video ports is independently displayed from SDI outputs at the rear. The video ports can be connected to the Kinefinity touchscreen monitor and micro-OLED viewfinder. Kinefinity camera is with a native short flange distance KineMOUNT since KineRAW-S35, the first generation cinema camera released in 2012. MAVO Edge 6K is using the third-generation KineMOUNT that matches the large-format CMOS image sensor: With an ultra-short FFD and cine style locking method, the KineMOUNT can match richness of mounting adapters such as EF, passive E , PL and the LPL mounts that allows the photography to variable lenses with MAVO Edge camera seamlessly and capture with a wide range of lens styles. Whether small creation or large production can be handled easily with MAVO Edge 6K. CMOS IMAGING SENSOR 6K 3:2 Full Frame CMOS Imaging Sensor Max Record Res Frame Rate Active Area Dual Base ISO Latitude Shutter Angle Lens Mount Optical Filter ND Filter 6016”3984 (Open gate 3:2), 24M 0.2~75fps @FF 6K Wide, 0.2~150fps @S35 4K Wide 36x24mm, ¸ 43.3mm Regular Base ISO: 800 (500 2560), High Base ISO: 5120 (3200 20480) 14 stops 0.7°~358° with rolling shutter Omni Native KineMOUNT, Short FFD Adapters: PL\/LPL\/Active EF\/passive E OLPF with UV and IR-cut filter Built-in motorized: Clear and e-ND from 0.6 to 2.4 CODECS, LUT Record Codec \u003ctable624 codec type format bit depth notes uncompressed raw dng resolution frame rate will be updated in subsequent firmware versions of mavo edge prores4444xq quicktime mov kinelog3 prores4444 prores422hq included lut record media neutral support custom slot x2 for kinemag nano ssd based on nvme m.2 party cards are also supported via the card body size and optical full ff og prores uhd mm dci s35 fhd other cropping hd monitoring proprietary video port sdi kinefinity viewfinder kinemon-5u2 ultra bright monitor with touch screen meta data bnc audio out linear pcm built-in mono microphone jack phantom-power balanced input xlr headphone wireless network gigabit ethernet live stream camera control transfer wifi accelerometer sync tc lens rs232 power output rec trigger ext1 ext2 pogo-pin contacts type-c usb x1 can used updates importing luts when liveview integrated v-mount battery plate or bp-u compatible dc ups ext d-tap vbat as bat rs construction ultra-high strength aircraft aluminium protrusion\u003e\u003c\/table624\u003e","brand":"Kinefinity","offers":[{"title":"Default Title","offer_id":51957290467633,"sku":"Kine-A010-002-01","price":6999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0851\/8703\/5441\/files\/kine-a010-002-01_917a18e4-cde0-4414-90a6-e6672706c72d.jpg?v=1761803853"},{"product_id":"kine-a010-002-02","title":"Kinefinity MAVO Edge 6K (Cyber Edition)","description":"Kinefinity MAVO Edge 6K (Cyber Edition) The MAVO Edge 6K Cyber Edition is a powerful new full-frame cinema camera with a body made from RAW steel. Equipped with a 6K full-frame 3:2 CMOS imaging sensor capable of shooting in 6K 75fps and 4K 150fps based on the high-performance computing platform of the MAVO Edge, the camera features dual native ISO (800\/5120) and excellent highlights under various sensitivity settings. MAVO Edge 6K has an internal motorized full-spectrum e-ND filter(0.6-2.4), and integrates industry-standard ports and dual SSD media slots, capable of recording Apple ProRes4444\/XQ and uncompressed RAW onto recording media based on NVMe M.2 2280 SSD. Weighing at only 3.6lbs, this compact and lightweight camera boasts powerful performance and versatility as it adapts to various demanding shooting scenarios. Like other Kinefinity cine cameras, MAVO Edge 6K brings natural color, pleasing skin tones, low noise, high dynamic range, and stunning details in an organic and delicate way. The MAVO Edge 6K is the latest full-frame camera from Kinefinity since the release of MAVO Edge 8K, and it employs a full-frame 3:2 CMOS imaging sensor that not only shows cleaner images but also provides wider viewing angles, shallower depth of field, and more immersive presence. The advanced color processing architecture from the MAVO Edge platform creates images with low noise, high latitude, and wide color gamut, then brings stunning details, organic images with exceptional quality. In addition, the full-frame 6K CMOS sensor is perfectly ed with OLPF FF3 optical low pass filter that adopts a more complex and higher performance crystal process to\"“eliminate\"  aliasing\/artifacts while keeping very sharp images. The MAVO Edge 6K is equipped with dual native ISO, rated at 800 and 5120, as the second native ISO up to 5120 is perfect for low light scenes to obtain a clean image with high latitude and low noise, ideal for documentary filmmakers or those who favor available light during night shoots. MAVO Edge 6K outperforms its predecessor of MAVO LF a lot when it comes to highlight performance. At the industry standard ISO 800, the default highlight of the Edge 6K is 6.0 stops, capturing more highlight details to get a more cinematic look. Switch to Cine EI mode for more of a traditional cinema camera experience and highlight stops will adjust automatically as the EI changes. While using Cine EI mode, the second base native ISO 5120 is still activated when you go past 1600 EI. From Apple ProRes422 LT to ProRes4444 XQ and uncompressed RAW codec, the MAVO Edge 6K is capable of recording high-resolution images with high dynamic range and with low to zero compression artifacts. The MAVO Edge 6K supports 12-bit ProRes4444XQ in full frame rate and resolution, and it records with Kine LOG3 Gamma to preserve all the dynamic range captured by the CMOS imaging sensor. The MAVO Edge 6K is equipped with a dual SSD slot based on PCIe-3.0 and its recording media, blazing-fast KineMAG Nano 1TB, is based on NVMe M.2 2280 SSD, ensuring storing uncompressed RAW stably and safely. From capturing image data to color calibrating and tuning during encoding 6K ProRes4444XQ or storing uncompressed RAW to M.2 SSD, all these internal high bandwidth processing happens within the compact and lightweight body of the MAVO Edge 6K, quietly. The MAVO Edge 6K is implemented with the latest KineOS 7.0 firmware, which has a redesigned user interface, and expected touch and tapping interaction with the camera. The new KineMON-5U2 and 7U2 with touchscreen monitors help to improve the user's interactive experience and lower the learning curve. The new interface design allows the user to control the entire functionality of the camera using only the touchscreen monitor. Frame rate, shutter angle, ISO, aperture, ND strength, color temperature, LUTs, and audio levels can all be adjusted via touchscreen control, making it easy for the cinematographer to set up the parameters quickly. In addition to the new UI, the MAVO Edge 6K firmware has come with many features. KineOS 7.0 supports Cooke\/i protocol which enables the camera to record and save lens metadata into the footage, speeding up VFX workflow. Recording media also supports both NTFS and HFS file systems, for Windows and macOS. The MAVO Edge 6K will also implement the pre-recording function in an anticipated firmware update. It ensures the cinematographer will not miss any shot during unpredictable scenes, providing a useful solution in live events and documentary works. MAVO Edge 6K inherits the integrated body design of Kinefinity's flagship product, MAVO Edge 8K which won the prestigious iF DESIGN AWARD 2021. Its ultra-high strength deformed Aluminum body has superior strength and toughness even at high temperatures to meet a wide range of photographic needs. The compact camera body of the MAVO Edge 6K only weighs 1.6kg(3.6lbs), and it is equipped with a full-spectrum e-ND filter, dual SDI ports, multiple control ports, and multi-channel audio tracks, as well as powerful wired and wireless functions. The monitoring image from two proprietary video ports is independently displayed from SDI outputs at the rear. The video ports can be connected to the Kinefinity touchscreen monitor and micro-OLED viewfinder. Kinefinity camera is with a native short flange distance KineMOUNT since KineRAW-S35, the first generation cinema camera released in 2012. MAVO Edge 6K is using the third-generation KineMOUNT that matches the large-format CMOS image sensor: With an ultra-short FFD and cine style locking method, the KineMOUNT can match richness of mounting adapters such as EF, passive E , PL and the LPL mounts that allows the photography to variable lenses with MAVO Edge camera seamlessly and capture with a wide range of lens styles. Whether small creation or large production can be handled easily with MAVO Edge 6K. CMOS IMAGING SENSOR 6K 3:2 Full Frame CMOS Imaging Sensor Max Record Res Frame Rate Active Area Dual Base ISO Latitude Shutter Angle Lens Mount Optical Filter ND Filter 6016”3984 (Open gate 3:2), 24M 0.2~75fps @FF 6K Wide, 0.2~150fps @S35 4K Wide 36x24mm, ¸ 43.3mm Regular Base ISO: 800 (500 2560), High Base ISO: 5120 (3200 20480) 14 stops 0.7°~358° with rolling shutter Omni Native KineMOUNT, Short FFD Adapters: PL\/LPL\/Active EF\/passive E OLPF with UV and IR-cut filter Built-in motorized: Clear and e-ND from 0.6 to 2.4 CODECS, LUT Record Codec \u003ctable624 codec type format bit depth notes uncompressed raw dng resolution frame rate will be updated in subsequent firmware versions of mavo edge prores4444xq quicktime mov kinelog3 prores4444 prores422hq included lut record media neutral support custom slot x2 for kinemag nano ssd based on nvme m.2 party cards are also supported via the card body size and optical full ff og prores uhd mm dci s35 fhd other cropping hd monitoring proprietary video port sdi kinefinity viewfinder kinemon-5u2 ultra bright monitor with touch screen meta data bnc audio out linear pcm built-in mono microphone jack phantom-power balanced input xlr headphone wireless network gigabit ethernet live stream camera control transfer wifi accelerometer sync tc lens rs232 power output rec trigger ext1 ext2 pogo-pin contacts type-c usb x1 can used updates importing luts when liveview integrated v-mount battery plate or bp-u compatible dc ups ext d-tap vbat as bat rs construction ultra-high strength aircraft aluminium protrusion\u003e\u003c\/table624\u003e","brand":"Kinefinity","offers":[{"title":"Default Title","offer_id":51957290533169,"sku":"Kine-A010-002-02","price":10499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0851\/8703\/5441\/files\/kine-a010-002-02_f27030b7-5954-4629-9e0c-89c3ebba3e11.jpg?v=1761803854"},{"product_id":"kine-a010-002-03","title":"Kinefinity MAVO Edge 6K (Black)","description":"Kinefinity MAVO Edge 6K (Black) The MAVO Edge 6K is a powerful new full-frame cinema camera. Equipped with a 6K full-frame 3:2 CMOS imaging sensor capable of shooting in 6K 75fps and 4K 150fps based on the high-performance computing platform of the MAVO Edge, the camera features dual native ISO (800\/5120) and excellent highlights under various sensitivity settings. MAVO Edge 6K has an internal motorized full-spectrum e-ND filter(0.6-2.4), and integrates industry-standard ports and dual SSD media slots, capable of recording Apple ProRes4444\/XQ and uncompressed RAW onto recording media based on NVMe M.2 2280 SSD. Weighing at only 3.6lbs, this compact and lightweight camera boasts powerful performance and versatility as it adapts to various demanding shooting scenarios. Like other Kinefinity cine cameras, MAVO Edge 6K brings natural color, pleasing skin tones, low noise, high dynamic range, and stunning details in an organic and delicate way. The MAVO Edge 6K is the latest full-frame camera from Kinefinity since the release of MAVO Edge 8K, and it employs a full-frame 3:2 CMOS imaging sensor that not only shows cleaner images but also provides wider viewing angles, shallower depth of field, and more immersive presence. The advanced color processing architecture from the MAVO Edge platform creates images with low noise, high latitude, and wide color gamut, then brings stunning details, organic images with exceptional quality. In addition, the full-frame 6K CMOS sensor is perfectly ed with OLPF FF3 optical low pass filter that adopts a more complex and higher performance crystal process to\"“eliminate\"  aliasing\/artifacts while keeping very sharp images. The MAVO Edge 6K is equipped with dual native ISO, rated at 800 and 5120, as the second native ISO up to 5120 is perfect for low light scenes to obtain a clean image with high latitude and low noise, ideal for documentary filmmakers or those who favor available light during night shoots. MAVO Edge 6K outperforms its predecessor of MAVO LF a lot when it comes to highlight performance. At the industry standard ISO 800, the default highlight of the Edge 6K is 6.0 stops, capturing more highlight details to get a more cinematic look. Switch to Cine EI mode for more of a traditional cinema camera experience and highlight stops will adjust automatically as the EI changes. While using Cine EI mode, the second base native ISO 5120 is still activated when you go past 1600 EI. From Apple ProRes422 LT to ProRes4444 XQ and uncompressed RAW codec, the MAVO Edge 6K is capable of recording high-resolution images with high dynamic range and with low to zero compression artifacts. The MAVO Edge 6K supports 12-bit ProRes4444XQ in full frame rate and resolution, and it records with Kine LOG3 Gamma to preserve all the dynamic range captured by the CMOS imaging sensor. The MAVO Edge 6K is equipped with a dual SSD slot based on PCIe-3.0 and its recording media, blazing-fast KineMAG Nano 1TB, is based on NVMe M.2 2280 SSD, ensuring storing uncompressed RAW stably and safely. From capturing image data to color calibrating and tuning during encoding 6K ProRes4444XQ or storing uncompressed RAW to M.2 SSD, all these internal high bandwidth processing happens within the compact and lightweight body of the MAVO Edge 6K, quietly. The MAVO Edge 6K is implemented with the latest KineOS 7.0 firmware, which has a redesigned user interface, and expected touch and tapping interaction with the camera. The new KineMON-5U2 and 7U2 with touchscreen monitors help to improve the user's interactive experience and lower the learning curve. The new interface design allows the user to control the entire functionality of the camera using only the touchscreen monitor. Frame rate, shutter angle, ISO, aperture, ND strength, color temperature, LUTs, and audio levels can all be adjusted via touchscreen control, making it easy for the cinematographer to set up the parameters quickly. In addition to the new UI, the MAVO Edge 6K firmware has come with many features. KineOS 7.0 supports Cooke\/i protocol which enables the camera to record and save lens metadata into the footage, speeding up VFX workflow. Recording media also supports both NTFS and HFS file systems, for Windows and macOS. The MAVO Edge 6K will also implement the pre-recording function in an anticipated firmware update. It ensures the cinematographer will not miss any shot during unpredictable scenes, providing a useful solution in live events and documentary works. MAVO Edge 6K inherits the integrated body design of Kinefinity's flagship product, MAVO Edge 8K which won the prestigious iF DESIGN AWARD 2021. Its ultra-high strength deformed Aluminum body has superior strength and toughness even at high temperatures to meet a wide range of photographic needs. The compact camera body of the MAVO Edge 6K only weighs 1.6kg(3.6lbs), and it is equipped with a full-spectrum e-ND filter, dual SDI ports, multiple control ports, and multi-channel audio tracks, as well as powerful wired and wireless functions. The monitoring image from two proprietary video ports is independently displayed from SDI outputs at the rear. The video ports can be connected to the Kinefinity touchscreen monitor and micro-OLED viewfinder. Kinefinity camera is with a native short flange distance KineMOUNT since KineRAW-S35, the first generation cinema camera released in 2012. MAVO Edge 6K is using the third-generation KineMOUNT that matches the large-format CMOS image sensor: With an ultra-short FFD and cine style locking method, the KineMOUNT can match richness of mounting adapters such as EF, passive E , PL and the LPL mounts that allows the photography to variable lenses with MAVO Edge camera seamlessly and capture with a wide range of lens styles. Whether small creation or large production can be handled easily with MAVO Edge 6K. CMOS IMAGING SENSOR 6K 3:2 Full Frame CMOS Imaging Sensor 6016”3984 (Open gate 3:2), 24M 0.2~75fps @FF 6K Wide, 0.2~150fps @S35 4K Wide 36x24mm, ¸ 43.3mm Regular Base ISO: 800 (500 2560), High Base ISO: 5120 (3200 20480) 14 stops 0.7°~358° with rolling shutter Omni Native KineMOUNT, Short FFD Adapters: PL\/LPL\/Active EF\/passive E OLPF with UV and IR-cut filter Built-in motorized: Clear and e-ND from 0.6 to 2.4 CODECS, LUT Record Codec \u003ctable624 codec type format bit depth notes uncompressed raw dng resolution frame rate will be updated in subsequent firmware versions of mavo edge prores4444xq quicktime mov kinelog3 prores4444 prores422hq included neutral support custom lut media slot x2 for kinemag nano ssd based on nvme m.2 party cards are also supported via the card body size and optical full ff og prores uhd mm dci s35 fhd other cropping hd monitoring proprietary video port sdi kinefinity viewfinder kinemon-5u2 ultra bright monitor with touch screen meta data bnc audio output linear pcm built-in mono microphone jack phantom-power balanced input xlr headphone wireless network gigabit ethernet live stream camera control transfer wifi accelerometer sync tc lens rs232 power rec trigger ext1 ext2 pogo-pin contacts type-c usb x1 can used updates importing luts outputs when liveview integrated v-mount battery plate or bp-u compatible dc ups ext d-tap vbat as bat rs construction ultra-high strength aircraft aluminium protrusion\u003e\u003c\/table624\u003e","brand":"Kinefinity","offers":[{"title":"Default Title","offer_id":51957290959153,"sku":"Kine-A010-002-03","price":9999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0851\/8703\/5441\/files\/kine-a010-002-03_adf70cff-7bad-4fb2-b1a9-01ac4d794819.jpg?v=1761803856"},{"product_id":"kine-a010-003-01","title":"Kinefinity MAVO mark2 LF","description":"\u003cp\u003eThe Kinefinity MAVO mark2 LF is a full-frame digital cinema camera built around the same 6K sensor as the MAVO Edge 6K, paired with a faster processor and dual native ISO for low-light work. 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